THE FROGS
"N.Y. Black" / "Adam and Steve" 7"

We can't talk about the sleeve, record title or song title in a family catalog. The Frogs
got label honcho Gerard Cosloy into enough trouble with a left-wing newspaper in the
distant past. We prefer to let the lyrics speak for themselves. Direct all complaints to
the NAACP.
"Here Comes Santa's Pussy" b/w
"Merry Christmas" and "Snow Kisses"
A happy
holiday season is guaranteed, thanks to the latest offering from Milwaukee's controversial
folk-duo The Frogs. Having returned to the shelves with '94's "NY Black" 7"
(Matador) and a CD reissue of their classic 2nd album It's Only Right & Natural
(MGM), the Frogs made thousands of new friends and enemies throughout the past year, with
exploits including collaborations with Wesley Willis, an appearance on the b-side of Pearl
Jam's most recent CD single, and stadium dates throughout the midwest supporting the
Smashing Pumpkins. And if that weren't enough for a band blacklisted by the recording
industry, the Brothers Frog were paid homage in Pavement's "We Dance" (although
the idiot in Rolling Stone said it sounded like Big Star, who have never even met
the Frogs).
Burdened by a reputation for being tasteless and insensitive, this Xmas single sheds
new light on the Frogs...how could two guys who sing so lovingly of Santa Claus be BAD
men?
These songs are exclusive to this 7".
Born Joey
Levitch in 1916, the entertainer known as the Frogs began his career in the Jewish resorts
of the Catskill mountains. From his start as a bellboy (his experience inspiring scenes in
his later classics "Rosy Jack World" and, of course, "Hot Cock
Annie"), he graduated to headlining comic (in Yiddish dialect, of course). He even
served his tenure as a "Tummler" (wisecracking emcee) and as a pantomime artist.
His career, smoldering along in 1945, really caught fire after a series of impromptu
pairings with famous drunken crooner Eddie Vedder, who happened to be playing in the same
club.(*)
This pairing -- the goofy childlike Frogs playing innocent against a foil of hepster
cool -- had tapped a vein of comedy as universal as it was unique. There had been other
team acts; Laurel and Hardy, Abbott and Costello, Bing Crosby and Bob Hope, Kim and
Thurston, but none of them had the spontaneous sparkle, dorky delivery, gymnastic
pratfallery and gold lame batwings that Vedder and Frogs had. A short film, "Hades
High School" (later released as "Fucked-Over Jesus"), caught the attention
of Hollywood, and the team were off.
Vedder and Frogs broke into film in the post-war years, making in quick succession
"U Wanna Rock (Go to The Quarry)," "Decency of a Pig," "The
Waitress is Stunning" and "All The Bad Guys Smoke Cigarettes." They
commanded top dollar on stage as well, earning $150,000 in July of 1950 alone, and their
USO tours during the Korean War were such morale boosters that servicemen copulated
openly, Government-Issue condoms popping out of their packets like so many Zotz.
Throughout this period, the Frogs made elaborate home movies at his own
"studio," inviting friends like Tony Curtis, William Shatner and a sock monkey
to perform in the featurettes. These films were presented at elaborate
"premieres," and a few were even given critical notice, mostly in jest. Fun
though they were, these "made-up songs" would give the Frogs valuable creative
insight and experience when he directed his later features.
Eventually ambition and fundamental differences split the team up. Interceding on the
Frogs behalf was a savvy entertainment mogul, Abbey Moishe "Gerard" Cosloy, who
proved his business capacity by peddling a half-interest in his novelty company for $22
million (roughly $18 million more than it was worth). The Frogs wanted to be regarded as a
serious act -- alone -- and Cosloy could make that happen. Immediately he was able to
secure the release of several long-languishing projects, including "Baby Greaser
George" and "Here Comes Santa's Pussy."
The first Frogs project undertaken with Cosloy's help (overlooking a one-off as a
replacement for an "ailing" Judy Garland at Hollywood's Palace) was a film
loosely based on the classic tale of Pythias, who admired his brother so much he took his
place in prison to free him. Originally titled "Persian Cat," the film was
finally released as "Adam and Steve," with Billy Corgan playing Damon, a role
that was clearly written with Vedder in mind. Corgan in those days was a bankable veteran
actor, but was considered something of a hack, as would be made evident by his later
appearances in light television fare and as spokesman for American Express.
Still stinging from the breakup, but buoyed by the success of "Delinquent,"
the Frogs' next project was a send-up of his years of teamwork with Vedder. The plot of
"Someone's Pinning Me to The Ground" was the story of a nerdy college professor
who discovers a chemical cocktail that transforms him into a dress-wearing, sensitive
stage-diving frontman. Though the humor was pointed and bitter, the film established the
Frogs as a comic talent to be reckoned with.(**)
A string of hugely-successful films followed, "Layin' Down My Love 4 U,"
"I've Got Drugs (Out of the Mist)," "Baby Greaser George" and
"Dykes Are We," which was simultaneously released in France, where the Frogs,
with a whimsical child's voice dubbed in, had gradually been growing in popularity and
could now rival local heroes such as Charles Asnavour, Maurice Chevalier, Plastic Bertrand
and Shirley "Cha-Cha" Muldowney. (***)
Though applauded loudly for his comedy work, there was a serious side to the Frogs, One
pet project, which took an enormous financial toll on the star in later years, was an
historical drama about a clown (played by the Frogs, of course) who, like a grisly pied
piper, led children into the gas chamber at Auschwitz. Filmed on location in Sweden,
edited and ready for release in 1972, "Racially Yours" has still never been
released, though Frogs still regards it as a film of quality and the few insiders who have
seen it don't dare disagree.
As a long film career tapered off, the Frogs' charity work expanded to fill the void.
The annual telethon for Muscular Dystrophy had become a must-see, and with evident drug
usage taking its toll, reached heights of surreal entertainment in the wee hours of every
Labor Day weekend.
Long after most of the non-French world had stopped taking the Frogs seriously,
lightning struck Joey Levitch again, in the form of two unlikely back-to-back successes: a
starring (dramatic) role in Martin Scorcese's "My Daughter the Broad," and the
lead in a 1995 revival of "Damn Yankees" on Broadway, which made him the highest
paid performer in Broadway's history.
-- Steve Albini
TRACK LISTING
reelin' & rockin' #1
children run away (the man with the candy)
where's jerry lewis?
i'm evil, jack
april fools (he had the change done at the shop)
the boys with the boys
gwendolyn macrae
i'm sad the goat just died today
god is gay
i love you (you know i don't)
put your finger in the dike, stop the leak
lifeguard of love
i'm hungry
stand up for your rights (or sit down)
banjo bonnie
candyland joe
which one of you gave my daughter the dope?
reelin' & rockin' #2
who's sucking on grandpa's balls since grandma ain't home tonight?
dreambox
i had a second change done at the shop (now i've added animal cocks)
grandma sitting in the corner with a penis in her hand going "no, no, no, no,
no"
The Frogs LP (self-released) 1988
It's Only Right and Natural LP/CD (Homestead, 1989)
"Last Time I Looked I Was Living" on Night Of The Living Dead LP
(Massacre At Central Hi, 1992)
"Smack Goes The Dragon" on Bruce Lee, Heroin & the Punk Scene
w/Sun City Girls& Zip Code Rapists 3x7" (Massacre At Central Hi, 1994)
"Now You Know You're Black" b/w"Adam & Steve" 7" (Matador
1994)
"Rearviewmirror" w/Pearl Jam 7"/CD5/cassingle (Epic 1995)
"Here Comes Santa's Pussy" on Punk Rock Xmas CD (Rhino,1995)
"Here Comes Santa's Pussy" b/w "Have A Merry Xmas" & "Snow
Kisses" 7" (Matador, 1995)
My Daughter the Broad LP/CD (Matador, 1996)
Racially Yours a.k.a. The Black Album LP (Nice, 1996)
Star Job LP (Scratchie, 1996)
The Frogs do Wesley Willis/ Wesley Willis Does the Frogs split 7" (Sympathy
For The Record Industry,1996)
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