As mentioned previously in this space, Matador will be celebrating the label’s 21st anniversary this October and this much we can finally confirm : there will be 3 nights of shows starting Friday October 1, and concluding Sunday October 3 at the Palms Casino & Resort In Las Vegas, NV. We’ll be dropping further hints about the amazing lineup in the days ahead, but a final announcement and information about how to purchase tickets will be made here at the trusty Matablog on July 5. Are you as psyched as we are? (hopefully yes, because we’re getting in for free).
(ADDENDUM – there’s been a bit of confusion so just to clear things up, tickets DO NOT GO ON SALE JULY 5. We’ll merely be announcing the on sale date/time on July 5. thanks – GC)
It’s too hot to cook. It was 96 degrees F today in New York City! Here are a couple of non-labor-intensive dishes. Above is a pre-made, but very fresh, salad mix from a purveyor at the Union Square Greenmarket whose name escapes at the moment. It includes snow pea leaves, a variety of bitter greens, and flowers. I tried to do as little damage as possible with a small amount of good olive oil and red wine vinegar.
The illustration below shows Ruth Rogers’s very simple carbonara from her River Cafe cookbook. It uses 3 egg yolks beaten into 60 ml double cream, and emerges flawless every time – much lighter and creamier than Marcella Hazan’s version. I enlivened it with some freshly shelled peas – boiled, drained and sprinkled on top at the end.
Today Gorilla vs Bear drops the hammer on a third video from Harlem’s Hippies (which can/should be purchased here). The “Someday Soon” video was directed by Aaron Brown and Ben Chappell (Focus Creeps).
Harlem take it to the people in the USA again starting this weekend, supporting The Dead Weather on the bulk of the dates:
Friday 25 – Tucson, AZ – Plush
Saturday 26 – Costa Mesa, CA – Detroit Bar
Tuesday 29 – San Francisco, CA – The Independent
Friday 02 – Seattle, WA – Sunset Tavern
Saturday 03 – Vancouver, BC – 917 Main
Sunday 04 – Portland, OR – East End
Friday 09 - Los Angeles, CA – Echo (Part Time Punks)
Saturday 10 – San Diego, CA – Bar Pink
Tuesday 13 – Washington, DC – 9:30 Club w/The Dead Weather
Wednesday 14 - Boston, MA – House of Blues Boston w/The Dead Weather
Saturday 17 – Brooklyn, NY – Siren Fest
Monday 19 – San Diego, CA – House of Blues San Diego w/The Dead Weather
Wednesday 21 - Los Angeles, CA – Hollywood Palladium w/The Dead Weather
Thursday 22 – San Francisco, CA – Warfield Theatre w/The Dead Weather
Saturday 24 – Portland, OR – Crystal Ballroom w/The Dead Weather
Sunday 25 – Seattle, WA – Capitol Hill Block Party Festival w/The Dead Weather
Monday 26 – Billings, MT – Babcock Theatre w/The Dead Weather
Wednesday 28 – Minneapolis, MN – First Avenue w/The Dead Weather
Thursday 29 – Milwaukee, WI – The Rave w/The Dead Weather
Friday 30 - Chicago, IL – The Congress Theater w/The Dead Weather
Saturday 31 – Detroit, MI – The Fillmore – Detroit w/The Dead Weather
Monday 02 – Baltimore, MD – Rams Head Live! w/The Dead Weather
Tuesday 03 – Brooklyn, NY – Prospect Park Bandshell – Celebrate Brooklyn w/The Dead Weather
Saturday 07 – Chicago, IL - Lollapalooza & Empty Bottle w/Wavves
Thursday 09-11 – Raleigh, NC – Hopscotch Fest
As you might’ve seen reported elsewhere, Interpol recently announced a September release date for their long-awaited, eponymous 4th album, the badly kept-secret portion of said scoop being that Matador would once again, be the band’s record label in North America after a one album stopover at Capitol Records. We’ll have more details soon about the different configurations available, pre-order info, etc. but can reveal the Alan Moulder-mixed ‘Interpol’ (CD/LP/digital) will be released on September 7, a week earlier than originally reported. Though an MP3 has already been in circulation, today marks the debut of the above video for “Lights”, directed by Charlie White.
In the wake of bassist Carlos D’s departure from the band following the completion of the new album, Paul, Daniel and Sam have augmented Interpol’s touring lineup to included David Pajo (Slint, Papa M, Yeah Yeah Yeahs) on bass and Secret Machines’ Brandon Curtis on keyboards. The new quintet will be on display starting tonight in Pittsburgh, with a number of additional dates just confirmed this morning. Though you can expect to see Interpol playing a ton of other North American cities this Autumn, the smaller club dates below are likely to sell out quickly.
Wednesday, June 23 – Pittsburgh, PA Mr. Smalls Theatre
Friday, June 25 – Allentown, PA Crocodile Rock
Saturday, June 26 – New York, NY, Creators Project Party, Milk Studios
Friday, July 23 – Northampton, MA – Pearl Street Ballroom*
Saturday, July 24 – New Haven, CT – Toad’s Place – +
Sunday, July 25 – Baltimore, MD – Ramshead Live – *
Thursday, July 29 – Richmond, VA – The National – +
Friday, July 30 – Norfolk, VA – The NorVA – +
Saturday, July 31 – Atlantic City, NJ – Showboat Atlantic City – House of Blues – #
Wednesday, August 04 – Montclair, NJ – Wellmont Theatre – +
Thursday, August 05 – Boston, MA – House of Blues – +
Friday, August 06 – Clifton Park, NY – Northern Lights – #
Monday, August 09 – Montreal, QC – Metropolis – #
Tuesday, August 10 – Toronto ON – Kook Haus – @
Wednesday, August 11 – Pontiac, MI – Clutch Cargo -+
Friday, August 13 – Milwaukee, WI – The Rave – #
Saturday, August 14 – Minneapolis, MN – First Avenue – *
Sunday, August 15 – Chicago, IL – Vic Theatre – #
Wednesday, August 18 – Charleston, SC – The Music Farm – +
Thursday August 19 – Lake Buena Vista FL – House of Blues – #
@ – on sale June 23
* – on sale June 24
+ – on sale June 25
# – on sale June 26
“Heartbreaking, rip-your-toenails out bleakness is part of the charm…a fragile, fucked-up little wonder.” (9/10), Camille Pia, NME
“‘Learning’ is a bruised and suggestive affair; of catharsis and rare, redemptive beauty, which ranks as one of the most uniquely endearing and quietly forceful debut albums of recent years.” (9/10), James Skinner, Drowned In Sound
Today, Monday June 21*, Matador is releasing the debut full-length album (LP/CD/digital) from Seattle’s Mike Hadreas, aka Perfume Genius. ‘Learning’ is a home recording as stark, haunting and downright jarring as any we’ve heard ; harrowing personal stories laid atop unshakable minor-key melodies, we’ve been obsessed with Hadreas’ songs for months and have a sneaking suspicion more than a few of you will have a similar reaction. Actually, a cursory trip around the the internet reveals all sorts of reactions, and while it would be tempting to cobble together the long and varied list of iconic artists Perfume Genius has already been compared to, none of that means anything compared to laying in bed listening to ‘Learning’ at 2am. If you’d prefer to go for a drive while playing the album, that’s ok, too. We’re not here to police your activity.
A good friend of mine (who I once upon a time put on shows with) runs a venue over here in the UK down in Brighton, but sadly the venue is under threat of closure due to noise complaints (but actually there has only been one in the past 12 months) made to the local council.
They are looking to enforce a noise limiter on the venue which would mean any amplified equipment played would trip the limiter and effectively end all live music at the Freebutt.
Over the years they’ve had a load of Matador bands play, with Fucked Up and Times New viking having played there recently and they’ve booked the Brighton show of the upcoming Shearwater tour, so it means a lot to us here to not see such a decent place go under. Although many of you reading this might be far away I’d urge you to take 2 minutes out of your day to sign the petition against this happening here and you can read more about the story on the Freebutt’s blog. Thanks!
I posted some time ago about Marcella Hazan‘s extremely simple (and not particularly Italian) roast chicken recipe. I make this all the time and have refined the procedure a bit. The result is absolute perfection these days.
Here’s the modified recipe – the key is to observe the ratio of weight to cooking time to the letter, to really loosen and puncture the lemons (whose purpose I now understand better), and to follow the trussing instructions to a tee. The addition of good paprika adds a really nice color and a smoky undertone. The higher temperature at the end leaves you with a really golden-brown, crackly skin – just be sure to disable the smoke detector before that part.
one 2.85 – 3.85 lb whole chicken (preferably Murray’s)
two small lemons
good, fresh Hungarian semi-sharp paprika (e.g. from The Spice House)
coarse sea salt or kosher salt
freshly ground pepper
Preheat oven to 350 F. Remove giblets and neck, pat chicken completely dry with paper towels, both inside and out. Put two tablespoons salt in a mortar, add a generous dump of the semi-sharp paprika, and a good amount of freshly ground black pepper. Grind with pestle. Season chicken thoroughly all over, inside and out. (You don’t need to use all the seasoning – it may get too salty – just make sure you have covered with a thin layer.)
Wash and dry lemons, then loosen their insides by rolling them with both hands pressed firmly on top until you can feel that the juice is flowing. Pierce them deeply all over at least 20 times each with the trussing needle. Insert into cavity of chicken.
Sew chicken closed with 18″ twine. If lemons don’t quite fit, use skin flaps and the pope’s nose to close the gap (I never remove any fat). Sew tightly. Truss legs tightly together so that they are pressed firmly against the breast (you may need the help of someone’s finger to get the knot right).
Place chicken upside-down (legs facing DOWN) in a glass baking dish and put in oven. Cook for 30 minutes at 350.
Remove chicken from oven and rapidly turn over (legs facing UP). Return to oven and cook for an additional 30 minutes (for a 3-3.85 lb chicken) or for an additional 25 minutes (for an under-3 lb chicken).
Now turn heat up to 450. Cook for 20 minutes. Remove from oven and carve. Save the juices that run onto the carving board and pour them over the chicken (and over the white rice, which I strongly recommend serving with this dish) – they are “perfectly delicious,” to quote Marcella.
Note: No basting is needed! Again, to quote Marcella, “This bird is self-basting.”
I’m not certain why this recipe is always such a success, but I think it’s due to the following:
- The salt opens the pores inside the cavity
- The punctured lemons inside the trussed-up cavity baste the upside-down breast in the first phase, keeping it moist
- The trussed legs protect the breast from drying out on the other side
- Because the breast is both moist and protected, it’s possible to cook the dark meat to the degree required for doneness
- The paprika lends the skin an appetizing reddish-brown color – appearance is a huge part of what makes things tasty!
Ted Leo‘s solo instore at Generation Records in the Village tonight was a huge success, rammed to the gills and featuring a full hour plus set. Ted played pre- and post- Pharmacists songs, including “One Polaroid A Day,” “Ativan Eyes” and “The Mighty Sparrow” from his latest album The Brutalist Bricks. Ted also played Misfits, Eddie & The Hot Rods and Nick Lowe covers. It was one of the packed-est (and hottest) instores I’ve been to in some time, and the crowd was riveted.
Don’t miss TL&RX dates coming up starting in Milford CT (easily reachable via Metro North, as Ted pointed out) tomorrow night – check the tours pages for more details. And keep your eyes peeled for the upcoming video for “Bottled In Cork” directed by Tom Scharpling. It promises to be memorable.
While at Generation we noticed some classic record store graffiti behind the counter that we had to photograph. Enjoy.