Starting today you can treat yourself to a preview of the Thurston Moore album Demolished Thoughts, via streams on the NPR and Guardian websites. The album proper comes out next week, via the usual digital and CD formats and also on limited edition clear double-vinyl (from Urban Outfitters stores) or blue vinyl (from your favourite local independent retailer or the Matador store).
Thurston plays live this Friday at Williamsburg Hall of Music and then will be playing in-store at Other Music (NY) on the eve of the album’s release. After that he plays 3 shows in Europe before returning for more US dates and shows with Kurt Vile, all of which are listed below:
Thurston Moore dates :
Friday, May 20 – Music Hall Of Williamsburg, Brooklyn, NY
Monday, May 23rd – Other Music in-store, NYC
May 28th – Paris, France – Le Grande Halle (Villette Sonique Festival) *playing a non-Demolished Thoughts set
May 29th – Brussels, Belgium – AB Concerts *playing a Demolished Thoughts based set
May 30th – London, UK – Union Chapel *playing a Demolished Thoughts based set
Sat, June 25, Solid Sound Festival, North Adams, MA
Sunday, June 26, Solid Sound Festival, North Adams, MA
Friday, July 15, Pitchfork Festival, Chicago, IL
Saturday, July 16, High Noon, Madison, WI (tickets on sale April 29 at 10am)
7/18 Minneapolis, MN – Varsity Theatre (tickets, on sale April 29, noon))
7/21 Vancouver, BC – Rickshaw Theatre (tickets, on sale April 29)
7/23 Portland, OR – Alladin Theatre (tickets)
7/26 San Francisco, CA – Great American Music Hall (tickets)
7/28 Los Angeles, CA – Troubadour (tickets)
7/29 Los Angeles, CA – Troubadour (tickets)
7/30 San Diego, CA – Casbah (tickets)
so it was 6 degrees F (-14 Celsius) when I left for the office this morning. A crisp, bright, and beautiful winter morning. Admittedly I’m in quite a positive head space for a frigid, January, Monday morning but I digress. Esben & The Witch appear to be in an equally friendly mood this winter’s day and have premiered their debut album Violet Cries, in full,via Stereogum
and if you missed it last week, please be sure to check out Esben & The Witch’s second music video “Warpath” and remember they’ll be touring throughout Europe and the US this February + March.
Mon, 1/31 Bristol, UK The Louisana
Tue, 2/1 Brighton, UK Pavillion Theatre
Tue, 2/8 Birmingham, UK Hare & Hounds
Wed, 2/9 London, UK XOYO
Fri, 2/11 Brussels, BE Botanique/Rotonde
Sat, 2/12 Amsterdam, NL Paradiso
Mon, 2/14 Hamburg, DE Molotow
Wed, 2/16 Copenhagen, SE Loppen
Thu, 2/17 Berlin, DE Comet
Sat, 2/19 Saint Malo, FR Route Du Rock Festival
Mon, 2/21 Paris, FR Point Ephemere
Thu, 3/3 Washington, DC Red Palace
Fri, 3/4 Brooklyn, NY The Bell House
Sat, 3/5 New York, NY Mercury Lounge
Sun, 3/6 Boston, MA Brighton Music Hall
Mon, 3/7 Philadelphia, PA Kung Fu Necktie
Tue, 3/8 Pittsburgh, OH Brillobox
Wed, 3/9 Akron, OH Musica
Thu, 3/10 Chicago, IL Empty Bottle
Fri, 3/11 Toronto, ON Wrongbar
Sat, 3/12 Denton, TX 35 Conferette
Sat, 3/19 Austin, TX Mess With Texas
Tue, 3/22 Los Angeles, CA Bootleg Theater
Wed, 3/23 San Francisco, CA Bottom of the Hill
Thu, 3/24 Portland, OR Mississippi Studios
Fri, 3/25 Seattle, WA Sunset Tavern
Sat, 3/26 Vancouver, BC The Waldorf Hotel
The pent-up frustration of mastering and recording engineers who have had to deal with members of an ignorant public for years has finally found in an outlet in a series of viral YouTube videos featuring computer animated characters speaking in computer-generated English accents.
The videos are brilliant, and point to the REAL revolution in the music industry over the past two decades, which is the proliferation of affordable (if often crappy) home-recording solutions. Someone needs to tell all those newspaper reporters that ProTools and GarageBand have had at least as much effect on the industry as P2P and torrents. It’s hard to believe now, but in 1980 it cost a lot of money even to cut a 2-song hardcore single. Analog recording is slow, expensive and requires a ton of skill. Actually, the same goes for decent digital recording, but it’s a hell of a lot cheaper and faster than it used to be. There are now approximately 200 times as many releases coming out annually as there were in 1980, and that doesn’t even account for the huge quantity of music that doesn’t see a commercial release and just lives on MySpace pages, YouTube videos and CDRs.
The above video would be enlightening and hilarious all on its own, but there are tons more. The videos have apparently struck a chord: “OMFG classic bigtime relate to this!” and “BAHAHAAAAA. I am approached by so many douche-bags like that guy all the time. Stupid FruityLooping, clip-activating, preset-selecting chumps!!!”
Jon. Wow. I have to say you really made those beats bang. Bro. Bro. Get me?
I fully expected to do another one of these record store visits sooner, but long drives chasing the Jamie Lidell tour bus kept us from record store adventure #2 until yesterday in the lovely city of Philadelphia.
We decided on A.K.A. Music after having it recommended to us on various occasions. Max was working the counter and he gave us some very useful information.
JO’C: How long have you been working here?
Max: Almost 2 years.
JO’C: What’s your favorite new release?
Max: Well, it’s not “new”, but I like the Rayne reissue.
JO’C: (Confused look)
Max: They were a late 70′s garage band.
JO’C: Cool. Where do you like to listen to music?
Max: At home.
JO’C: And what is your preferred format?
JO’C: Finally, where’s your favorite place to eat in Philly?
Max: Good question. John’s Roast Pork on Delaware Avenue. They have great pork sandwiches and great cheesesteaks too.
JO’C: Thanks Max!
I would also like to note that A.K.A. has a really great bargain bin used cd selection. I got a bunch of greatest hits discs for 2.99 – New Order, Kinks Kronicles, and some weird Prince Greatest Hits I hadn’t seen before. Also a Massive Attack soundtrack and a disc by the Departure Lounge that I didn’t have. I would have spent many hours combing through it if we’d had more time.
PS. I’ll do a blog sometime soon about the actual shows we’ve been playing!
I started a tour today supporting Jamie Lidell and I’m in Chicago at the Abbey Pub awaiting soundcheck. Because I enjoyed participating in Record Store Day so much earlier this year, I’ve decided to visit local record stores in some of the cities we are playing and find out the answers to some important questions. This is my way of continuing to celebrate all the awesome record stores throughout the country.
I’m sitting on the couch at Headgear with my new record almost finished. It took 12 days total. 2 mixes to go and we’ll be done. I’m totally sick and need to spend a few days in bed and John got his car broken into last night. So, the last couple of days have been a little bumpy. But when all is said and done (which will be soon), it will have been completely worth it.
We’ve had so much fun making this record and I can’t wait for you to hear it.
Here’s a few more pics for ya. Have a Happy Easter!
2 inch to 1/2 inch, yo:
Me and my new best friend, John Agnello, in the delirium of day 12:
While the first, slow burning mp3 off 'Challengers' set off fireworks among the legions of New Ps fans ("My Right Versus Yours"), it apparently stoked the mash-up-making skills of some folks seeking the hidden dirty south vibes of 'Challengers'.
Having missed the whole mash-up craze myself, I'm not sure what to think of it other than we definitely don't have my rights, your rights or all the rights to post it. So just follow this link below to eventually find it:
In what must seem like Lavender Diamond Day on the Internet, LD's MySpace profile is previewing "Imagine Our Love". The stream comes down on Saturday morning, so skate on over, have a listen and add 'em as a friend, you just might get called upon as an extra for a future video.
Lack of funds, time and all sorts of other obstacles kept me from attending any of the Steve Reich 70th Birthday celebrations at the Barbican, so yesterday's Freak Zone on BBC 6Music was especially agonising, as Reich himself dropped by to discuss his major works.
If you're a Reich fan (and I sincerely hope you are), you can listen to the show here.
Personally, I find it really heartening that BBC's 'indie' radio station can actually spend a show celebrating a modern composer when they're not playing Italian 60s jazz rock, monster psychedelia, soundtrack funk and pastoral folk.
Brightblack are soooo going to fit in when they're on the show on the 5th November.