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The MataBlog is edited by Matador Records’ co-moaner Gerard Cosloy and individual entries are the work of whoever’s name is next to them. If you enjoyed something in the MataBlog, thank you very much! If there was something you found particularly troubling, please be advised that a) maybe you should read it again and b) the contents of this blog do not necessarily represent the opinions of Matador Records, Beggars Group, the combined staff of either company, nor the Matador artist roster. Opinions are like friends — hardly anyone has one worth listening to.

Out Today : King Krule - 'You Heat Me Up, You Cool Me Down'





Today, King Krule releases his new live album 'You Heat Me Up, You Cool Me Down' via True Panther Sound/Matador Records and also shares an accompanying live film alongside the project's release.

(STREAM / PURCHASE 'You Heat Me Up, You Cool Me Down')
Mere weeks before the world went into lockdown, King Krule had performed a handful of European shows which featured tracks from his critically acclaimed third album Man Alive!Filmed by longtime collaborator and friend Reuben Bastienne-Lewis in Amsterdam and Paris during that short run of shows and other performances captured throughout the years, the near half-hour performance special offers fans a glimpse into a live tour that never was, while also reminding them of the artist's unique stage presence and incredible performances delivered across his entire catalogue.
'You Heat Me Up, You Cool Me Down' features a setlist of 17 songs that span the acclaimed artist’s entire discography including fan favorites “Easy Easy,” “Baby Blue,” "Out Getting Ribs" and more. In addition to the album's upcoming digital release, the project is slated for a physical LP release on December 10th. A very limited amount of LP purchases will be bundled with an exclusive zine featuring tour and BTS photos curated by Archy.
"Once spilt into the cheap 4 tracks and pirate software, now collosos energy redeemed into small diaphragms. Sat on toilets imagining the moment other animals would sing the very vibrations back to them. Climbing a ladder of fulfilment, that fullfills neither need or want, but in ascent maybe the organised grouping of heartbeats pounding into the universe for an hour and a half would not be better spent.

I felt comfortable for once, young and uncomfortable with a tunnel of anxiety to walk through."



(photo : Reuben Bastienne-Lewis)

'You Heat Me Up, You Cool Me Down' Tracklist
01. Out Getting Ribs
02. Emergency Blimp
03. A Slide In (New Drugs)
04. The Ooz
05. Cellular
06. Stoned Again
07. Slush Puppy
08. Rock Bottom
09. Comet Face
10. Perfecto Miserable
11. Alone, Omen 3
12. Baby Blue
13. Half Man Half Shark
14. Underclass
15. Energy Fleets
16. Please Complete Thee
17. Easy Easy





Purchase / stream Man Alive!

King Krule Online
Website
Instagram
Facebook

out today : Julien Baker - 'Little Oblivions Remixes'





Julien Baker, photo by Alysse Gafkjen

Today, Julien Baker releases 'Little Oblivions Remixes', which sees tracks from her critically acclaimed album 'Little Oblivions 'reworked by notable contemporaries personally selected by Baker. The EP features contributions from singer-songwriter Half Waif, celebrated electronic composer Helios, Australian folktonica songwriter Gordi, Oakland artist and producer Thao, and UK experimental and industrial metal artist Jesu (Justin K. Broadrick).

(stream / download 'Little Oblivions Remixes')
(stream/purchase 'Little Oblivions')

Thao also contributed to the EP by way of her remix of ‘Ziptie’ and  notes, “I was immediately drawn to ‘Ziptie’ for Julien's beautiful melodies and haunting, arresting imagery. I knew I wanted to create a lot of different additional sounds and melodies inspired by the lyrics. I pictured a sort of post-apocalyptic, incredulous, acerbic, off-kilter and morose dance party (one of my top 3 dance party themes). I programmed rough sketches of the drum parts and built out the track with synths, bass, guitar, and drum machines. I asked my friend and incredible drummer Jason Slota to record live parts. I edited and patched segments of his drums, and then glued everything together with more synths and vocals. It was an immense pleasure to immerse myself in such beautiful vocal tracks, and I wanted to bring them to the fore as much as possible. I'm so happy I got to remix this song. Thank you Julien!"




Thao, photo by Shane McCauley



Half Waif, photo by Lissyelle Laricchia



Helios,  photo by Hollie Kenniff



Jesu , photo by VB

[caption id="attachment_36598" align="alignnone" width="478"] (Gordi,  photo  by Teresa Tan)[/caption]

Julien Baker on Tour :
Friday, September 3 Saturn, Birmingham AL + (SOLD OUT)
Saturday, September 4 Variety Playhouse, Atlanta GA + (SOLD OUT)
Sunday, September 5 Bonaroo Festival, Manchester TN +
Tuesday, September 7 Orange Peel, Asheville NC + (SOLD OUT)
Wednesday, September 8 Haw River Ballroom, Saxapahaw NC + (SOLD OUT)
Friday, September 10 The National, Richmond VA ^ *SOLD OUT*
Saturday, September 11 The National, Richmond VA & *SOLD OUT*
Monday, September 13 9:30 Club, Washington DC + (SOLD OUT)
Tuesday, September 14 Beacon Theater, New York NY +
Wednesday, September 15 Franklin Music Hall, Philadelphia PA +
Friday, September 17 House of Blues, Boston MA +
Saturday, September 18 Calvin Theater, Northampton MA +
Monday, September 20 Phoenix Concert Theatre, Toronto ON +
Wednesday, September 22 Metro, Chicago IL +
Thursday, September 23 Metro, Chicago IL +
Friday, September 24 First Avenue, Minneapolis MN +
Saturday, September 25 Majestic Theatre, Madison WI + (SOLD OUT)
Monday, September 27 Majestic Theater, Detroit MI +
Tuesday, September 28 Newport Music Hall, Columbus OH +
Wednesday, September 29 Mr Smalls Theatre, Pittsburgh PA +
Wednesday, October 27 Stubbs, Austin TX #
Thursday, October 28 Granada Theater, Dallas TX #
Friday, October 29 Heights Theater, Houston TX #
Saturday, October 30 Paper Tiger, San Antonio TX #
Monday, November 1 Van Buren, Phoenix AZ #
Tuesday, November 2 The Observatory, San Diego CA #
Thursday, November 4 The Wiltern, Los Angeles CA #
Saturday, November 6 Fox Theater, Oakland CA #
Monday, November 8 Aladdin Theater, Portland OR # (SOLD OUT)
Tuesday, November 9 Hollywood Theatre, Vancouver BC #
Wednesday, November 10 Moore Theatre, Seattle WA #
Friday, November 12 The Complex, Salt Lake City UT #
Monday, November 15 The Granada, Lawrence KS #
Tuesday, November 16 Delmar Hall, St. Louis MO #

Friday, April 15 Tivoli, Utrecht NL *
Saturday, April 16 Vera, Groningen NL *
Sunday, April 17 Fabrik, Hamburg DE *
Tuesday, April 19 Vega, Copenhagen DK *
Wednesday, April 20 Pustervik, Gothenburg SE *
Thursday, April 21 Parkteatret, Oslo NO *
Saturday, April 23 Nalen, Stockholm SE *
Monday, April 25 Mejeriet, Lund SE *
Thursday, April 28 Festsaal Kreuzberg, Berlin DE *
Friday, April 29 Rock Café, Prague CZ *
Saturday, April 30 Arena, Vienna AT *
Sunday, May 1 Rockhouse, Salzburg AT *
Wednesday, May 4 Padova Hall, Padova IT *
Friday, May 6 Bogen F, Zurich CH *
Saturday, May 7 Manufaktur, Schorndorf DE *
Sunday, May 8 Technikum, Munich DE *
Tuesday, May 10 Kulturkirche, Cologne DE *
Friday, May 13 Le Trabendo, Paris FR *
Saturday, May 14 Ancienne Belgique, Brussels BE *
Wednesday, May 18 Electric Ballroom, London UK *
Thursday, May 19 Leeds Irish Centre, Leeds UK *
Saturday, May 21 Whelan’s, Dublin IE *
Sunday, May 22 Whelan’s, Dublin IE *
Tuesday, May 24 St. Luke’s, Glasgow UK *
Wednesday, May 25 Gorilla, Manchester UK *
Sunday, May 29 Teatro Kapital, Madrid ES
Monday, May 30 La Rambleta, Valencia ES
Tuesday, May 31 Sala Apolo, Barcelona ES

+ with special guests Thao and Katie Malco
# with special guests Dehd and Katie Malco
* with Ratboys
^ with Lucy Dacus and Thao
& with Lucy Dacus and Bachelor

+ with special guest Thao (and Mini Trees 9/13 – 9/17)
# with special guest Dehd and Katie Malco
* with Ratboys
^ with Lucy Dacus and Thao
& with Lucy Dacus and Bachelor

Julien Baker Online
Website
Facebook
Twitter
Instagram
Bandcamp

Gordi Online
Facebook
Instagram
Twitter
Gordi - official site

Jesu / Justin Broadrick Online

Facebook
Twitter
Instagram
Bandcamp

Half Waif Online
Instagram
Twitter
Facebook
website

Thao Online
Twitter

Facebook
Instagram
website

 

 

Steve Gunn - 'Other You' out today







'Other You', the eagerly anticipated album from Steve Gunn is out today (Friday, August 27) and is available at via all streaming services and all of the world's better record shops.

Steve Gunn on tour :

Thursday, December 2 Thalia Hall, Chicago IL #
Friday, December 3 Cedar Cultural Center, Minneapolis MN #
Saturday, December 4 Cactus Club, Milwaukee WI #
Sunday, December 5 Lakeside Inn, Lakeside MI #
Tuesday, December 7 Third Man, Nashville TN #
Wednesday, December 8 Terminal West, Atlanta GA #
Thursday, December 9 Recover Brands, Charlotte NC #
Friday, December 10 The Grey Eagle Tavern, Asheville NC #
Saturday, December 11 Cat’s Cradle, Carrboro NC #
Sunday, December 12 Creative Alliance, Baltimore MD #
Tuesday, December 14 The Sinclair, Cambridge MA #
Wednesday, December 15 Gateway City Arts, Holyok
Thursday, December 16 Tubby’s, Kingston NY #
Friday, December 17 Ardmore Music Hall, Ardmore PA #
Saturday, December 18 Bowery Ballroom, New York NY #
Wednesday, February 2 De Studio, Antwerpen BE
Thursday, February 3 Earth, London UK
Friday, February 4 Strange Brew, Bristol UK
Saturday, February 5 Pink Room, Manchester UK
Sunday, February 6 Brudenell Social Club, Leeds UK
Monday, February 7 Slay, Glasgow UK
Tuesday, February 8 Ulsters Sports Club, Belfast IE
Wednesday, February 9 Grand Social, Dublin IE
Friday, February 11 Maschinehaus, Berlin DE
Saturday, February 12 Nachtasyl, Hamburg DE
Sunday, February 13 Pumpehuset, Copenhagen DK
Tuesday, February 15 Nieuwe Kerk, Haarlem NL
Thursday, February 17 Le Consulat, Paris FR
Friday, February 18 Le Consortium, Dijon FR
Saturday, February 19 Hors Piste Festival, Annecy FR
Sunday, February 20 Rote Fabrik, Zurich CH

# w/ Jeff Parker

Steve Gunn Online
Facebook
Twitter
Instagram
Steve Gunn.com

Coming October 22 : Circuit des Yeux - '-io'





photo : Evan Jenkins

On October 22, Matador is releasing '-io', the sixth album by vocalist and composer Haley Fohr, best known as Circuit des Yeux.

A celebrated figure in Chicago’s music community, she has released acclaimed albums via De Stijl, Thrill Jockey, and Drag City and toured throughout the world. However, '-io' is Circuit des Yeux’s most ornate and elaborate work to date – a set of compositions that nest Fohr’s otherworldly four-octave voice amid a 24-piece string, brass, and wind ensemble. The album was put to tape last fall by Cooper Crain at Chicago’s Electrical Audio studio and mixed by Marta Salogni (Bjork, Holly Herndon) with Fohr acting as arranger and producer. Written in the wake of personal loss and recorded in the midst of the pandemic, '-io' maps a geography of grief – a place where “everything is ending all the time.” While Fohr’s music has never been short on ambition, these songs are striking in their brilliance and strangeness. On '-io', Circuit des Yeux has delivered a work that is vivid, immense, and fully illuminated.

(PRESAVE / PREORDER '-io')



("Dogma", directed by Haley Fohr, co-directed by Rudy Rudio)

(STREAM / DOWNLOAD "Dogma")

Fohr says of the first single “Dogma”: “Where there is faith there is violence. The story of civilization is complicated and layered with dogmas. At each individual’s incentive lies both a beacon and an instinct. The fool follows the outer while the idiot chases her interior. Society is a necessary subversion of the self. It is through time that our quiet alarms grow with great intensity until emancipation through implosion or explosion become imminent.”
This is how grief becomes a landscape.

Before the pandemic cast its weather of mourning on the world, and before she began weaving together her sixth album as Circuit des Yeux, '-io', Haley Fohr found herself grieving a close friend. For a time, the loss severed her from her art. A singular, celebrated figure in the Chicago experimental music scene, known for her arresting voice and the transportive moods she grows around it, Fohr had kept a steady creative practice since she first began recording her own music as a teenager. Grief ruptured that foundation. Fohr could not write for months, the longest fallow period she'd crossed since she experienced her first episode of major depression at 17.

In the winter just before the pandemic took hold in the United States, Fohr was scheduled to complete an artist's residency at Robert Rauschenberg's house in Florida. She wanted to finish a roster of new material before leaving, but the music would not budge. Stalled, she turned to the organ, away from her guitar, and started tracing shards of sound, grasping melodies that began, slowly, to lead somewhere. It was not what she had hoped to bring south, but it was a start.

"I went to the Robert Rauschenberg residency with this idea of trying to explore the hard work of joy. At that point, I had just been wallowing in this grief for so long. I thought, I want to write about joy. I know it's going to be hard work," Fohr says. "But when I was on this beach and in this really privileged, gorgeous place, I felt even more despondent. I thought it would be this balm, but instead it was just the saddest beach in my life."

After sunset on Captiva Island, the Florida sky would glow a deep, burnt orange. The striking image became a conduit between Fohr’s interiority and her environment, keeping her from experiential isolation, tethering her to reality. She carried that sky back to Chicago and kept it with her as the world shut down and mass death triggered grief on an incomprehensible scale. Through this, Fohr began to cultivate a world inside the world, a world called '-io', "a place where everything is ending all the time."

The sky over '-io' is Florida's strange, radiant orange. It's a built environment, unnatural, made from concrete and glass, with skyscrapers that stretch to the vanishing point as you gaze up at them. It's crumbling and suffocating, a city perpetually on the brink of collapse, where tension never topples over into catharsis, where the heat never breaks.

Inside this world and its closed loop of time, Fohr found herself able to begin moving again. "I was haunted by memories in the pandemic," she says. "As someone with PTSD, memories are all twisted up inside of me in a way that doesn't help my higher self. Making this album was once again an exercise of trying to relieve myself of some of that darkness in a way that music has always done for me."

Under lockdown, her typically collaborative songwriting practice became solitary. She wrote on piano and organ, instruments on a larger scale than her usual guitar that felt more "like a solid foundation you can stand on." Her lyrics kept returning to images of black holes and gravity, all-consuming phenomena that rend our common experience of physical reality. "I became obsessed with black holes, which is the ultimate gravitational pull," Fohr says. "It also makes such a synonymous metaphor to death. Things go in, they can only go one way. They go in and they never come out."

From that colossal gateway, songs began to form. They followed the disintegration of the world as it stands, the hard-wrought rituals and habits that are already beginning to fracture under the pressures of climate catastrophe, as on "Vanishing," where Fohr sings "goodbye" to everything she can see and touch around her. They pinned down claustrophobic moods through the threatening whispers of "The Chase," and they shook them loose with sweeping vocal runs, like those that lattice the slow, enveloping "Walking Toward Winter" and pierce the melancholic "Stranger," a chilling piano-and-string composition that was recorded live in a single take.

Working at home on her computer, Fohr wrote, arranged, and produced each note of '-io'. She wrote for a 23-piece orchestra, gathering strings, horns, and drums around her daring vocal melodies. She staged -io on a scale vaster than anything she'd recorded before, a scale that matched the enormity she'd weathered, big enough to hold the world in its tumult.

Under COVID restrictions, Fohr could only record with six other players in the studio at a time. She and her collaborators – 13 renowned musicians from Chicago’s jazz, classical, and experimental scenes – built -io layer by layer, entwining its pain with the clear yearning that sparks at its dark heart. Horns cry out like terrified and distant voices from the dizzying waltz of "Neutron Star." A spaghetti-western guitar reverberates as if in a cavern amid the percussive pummel of “Dogma.” Strings thrash against each other like sheets of rain amid "Vanishing's" apocalyptic thrum. Amid them, Fohr's voice rears in space, overdubbed to the point where it becomes an architecture of its own, at once the subject in the narrative and the surrounding environment. The effect is at once capacious and crushing, like being drawn into a gas giant.

This is what happens when you take grief's smothering and render it in space: It expands. It becomes something you can traverse. That quiet, impossible feeling of loss can suddenly be crossed. The body moves through it. What once seemed to be an impenetrable collapse turns into a site of possibility. From the wreckage, something grows, and the ruin is no longer a ruin. In all its smoldering and all its weight, it is simply a place to begin.  - Sasha Geffen.











 



Circuit des Yeux on Tour, New Dates in Bold on Sale This Friday

September 17-18, Basilica Soundscape, Chatham NY
Friday, October 22 Knockdown Center, Brooklyn NY
Sunday, November 21 Thalia Hall, Chicago IL **


* w/ Wordless Music Orchestra
** w/ 16 piece orchestra


Circuit des Yeux Online

Instagram
Twitter

Facebook

 

 

Julien Baker - "Bloodshot" (Helios Remix)



Earlier this year Julien Baker released her critically acclaimed album, Little Oblivions via Matador Records. Today, she announces the September 1st release of  the 'Little Oblivions Remixes' EP on which select tracks off the album are remixed and reworked by some of the most notable artists in contemporary music. Hand selected by Baker herself, it features contributions from Half Waif, Helios, Gordi and Jesu.

Today, she shares the first taste of 'Little Oblivions Remixes' by way of Helios’ take on “Bloodshot.” He transforms the heavy, electronics focused track into a dreamlike daze which accentuates Baker’s original melodies while bolstering the bittersweet lyrics and stunning vocal performance.



photo : Alysse Gafkjen

 



photo : Hollie Kenniff.
 “I was excited when Julien Baker reached out about doing a remix, because I respect her work and it was an interesting challenge to do a remix of singer/songwriter material in the context of my approach which is more in the electronic/ambient world. I wanted to keep the integrity of the original composition, which was great, but also wanted to create enough of a spin to give it a distinctly new quality. My approach to remixes is to use as much of the original material as possible, but to use those elements as a base to create a variety of new textures. So I took a lot of the guitar and percussion elements and ran them through some old tape recorders to give it a rough "handmade" quality, reversed them, chopped them up or manipulated them with reverbs and delays to create ambient soundscapes. I treated Julien's vocals to match the rougher, more lo-fi quality I used with the instrumental elements. Harmonically, I changed up the chord changes to give the vocal melody a slightly new framework and arrangement on which to sit and create some new twists and turns and builds in the composition. It was one of the most fun remixes I've done to date, with such strong original material it gave me a lot to play around with." - Helios

 

stream / purchase 'Little Oblivions Remixes' EP

stream / purchase "Bloodshot" Remix

stream / purchase  'Little Oblivions'

Julien Baker on Tour :
Friday, September 3 Saturn, Birmingham AL + (SOLD OUT)
Saturday, September 4 Variety Playhouse, Atlanta GA + (SOLD OUT)
Sunday, September 5 Bonaroo Festival, Manchester TN +
Tuesday, September 7 Orange Peel, Asheville NC + (SOLD OUT)
Wednesday, September 8 Haw River Ballroom, Saxapahaw NC + (SOLD OUT)
Friday, September 10 The National, Richmond VA ^ *SOLD OUT*
Saturday, September 11 The National, Richmond VA & *SOLD OUT*
Monday, September 13 9:30 Club, Washington DC + (SOLD OUT)
Tuesday, September 14 Beacon Theater, New York NY +
Wednesday, September 15 Franklin Music Hall, Philadelphia PA +
Friday, September 17 House of Blues, Boston MA +
Saturday, September 18 Calvin Theater, Northampton MA +
Monday, September 20 Phoenix Concert Theatre, Toronto ON +
Wednesday, September 22 Metro, Chicago IL +
Thursday, September 23 Metro, Chicago IL +
Friday, September 24 First Avenue, Minneapolis MN +
Saturday, September 25 Majestic Theatre, Madison WI + (SOLD OUT)
Monday, September 27 Majestic Theater, Detroit MI +
Tuesday, September 28 Newport Music Hall, Columbus OH +
Wednesday, September 29 Mr Smalls Theatre, Pittsburgh PA +
Wednesday, October 27 Stubbs, Austin TX #
Thursday, October 28 Granada Theater, Dallas TX #
Friday, October 29 Heights Theater, Houston TX #
Saturday, October 30 Paper Tiger, San Antonio TX #
Monday, November 1 Van Buren, Phoenix AZ #
Tuesday, November 2 The Observatory, San Diego CA #
Thursday, November 4 The Wiltern, Los Angeles CA #
Saturday, November 6 Fox Theater, Oakland CA #
Monday, November 8 Aladdin Theater, Portland OR # (SOLD OUT)
Tuesday, November 9 Hollywood Theatre, Vancouver BC #
Wednesday, November 10 Moore Theatre, Seattle WA #
Friday, November 12 The Complex, Salt Lake City UT #
Monday, November 15 The Granada, Lawrence KS #
Tuesday, November 16 Delmar Hall, St. Louis MO #

Friday, April 15 Tivoli, Utrecht NL *
Saturday, April 16 Vera, Groningen NL *
Sunday, April 17 Fabrik, Hamburg DE *
Tuesday, April 19 Vega, Copenhagen DK *
Wednesday, April 20 Pustervik, Gothenburg SE *
Thursday, April 21 Parkteatret, Oslo NO *
Saturday, April 23 Nalen, Stockholm SE *
Monday, April 25 Mejeriet, Lund SE *
Thursday, April 28 Festsaal Kreuzberg, Berlin DE *
Friday, April 29 Rock Café, Prague CZ *
Saturday, April 30 Arena, Vienna AT *
Sunday, May 1 Rockhouse, Salzburg AT *
Wednesday, May 4 Padova Hall, Padova IT *
Friday, May 6 Bogen F, Zurich CH *
Saturday, May 7 Manufaktur, Schorndorf DE *
Sunday, May 8 Technikum, Munich DE *
Tuesday, May 10 Kulturkirche, Cologne DE *
Friday, May 13 Le Trabendo, Paris FR *
Saturday, May 14 Ancienne Belgique, Brussels BE *
Wednesday, May 18 Electric Ballroom, London UK *
Thursday, May 19 Leeds Irish Centre, Leeds UK *
Saturday, May 21 Whelan’s, Dublin IE *
Sunday, May 22 Whelan’s, Dublin IE *
Tuesday, May 24 St. Luke’s, Glasgow UK *
Wednesday, May 25 Gorilla, Manchester UK *
Sunday, May 29 Teatro Kapital, Madrid ES
Monday, May 30 La Rambleta, Valencia ES
Tuesday, May 31 Sala Apolo, Barcelona ES

+ with special guests Thao and Katie Malco
# with special guests Dehd and Katie Malco
* with Ratboys
^ with Lucy Dacus and Thao
& with Lucy Dacus and Bachelor

Julien Baker Online
Website
Facebook
Twitter
Instagram

Mdou Moctar featuring MC Yallah - "Tala Tannam" (Debmaster Remix)






(photo : WH Moustapha)

In September, Mdou Moctar and band will arrive in the US to begin a much-anticipated tour, with a number of dates already sold out.

Today, listen to “Tala Tannam” (Debmaster Remix), which flips the song’s gentle acoustic guitar vamp into a pulsing and percussive rhythm track for Kenya-born/Uganda-based rapper, MC Yallah (Nyege Nyege Tapes). “I've loved to work on my brother Mdou Moctar's track,” says Yallah. “Fusing hiphop with deep desert sounds really took me to a different place. I hope we meet in real life one day!”

stream / download "Tala Tannam" featuring MC Yallah (Debmaster remix)

Purchase or stream 'Afrique Victime'

Mdou Moctar on tour (new dates in bold)

2021
Thursday, September 2 The Grey Eagle, Asheville NC
Friday, September 3 Bonnaroo, Manchester TN
Saturday, September 4 Terminal West, Atlanta GA
Sunday, September 5 Motorco Music Hall, Durham NC
Tuesday, September 7 Ottobar, Baltimore MD (SOLD OUT)
Wednesday, September 8 Johnny Brenda’s, Philadelphia PA (SOLD OUT)
Thurdsday, September 9, Music Hall of Williamsburg, Brooklyn NY (SOLD OUT)
Friday, September 10 Music Hall of Williamsburg, Brooklyn NY (SOLD OUT)
Saturday, September 11 Gateway City Arts, Holyoke MA
Sunday, September 12 The Sinclair, Boston MA (SOLD OUT)
Tuesday, September 14 Thunderbird Café & Music Hall, Pittsburgh PA
Wednesday, September 15 Ace of Cups, Columbus OH (SOLD OUT)
Thursday, September 16 The Storehouse, Galien MI *SOLD OUT*
Friday, September 17 Lincoln Hall, Chicago IL (SOLD OUT)
Saturday, September 18 Cedar Cultural Center, Minneapolis MN
Monday, September 20 Globe Hall, Denver CO (SOLD OUT)
Tuesday, September 21 Globe Hall, Denver CO
Wednesday, September 22 Urban Lounge, Salt Lake City UT
Thursday, September 23 Treefort Music Festival, Boise ID
Friday, September 24 The Crocodile, Seattle WA
Saturday, September 25 Mississippi Studios, Portland OR (SOLD OUT)
Sunday, September 26 Mississippi Studios, Portland OR (SOLD OUT)
Monday, September 27 The Miniplex, Arcata CA *SOLD OUT*
Tuesday, September 28 The Chapel, San Francisco CA * SOLD OUT*
Wednesday, September 29 Starline, Oakland CA *SOLD OUT*
Saturday, October 2 Lodge Room, Los Angeles CA (SOLD OUT)
Sunday, October 3 Lodge Room, Los Angeles CA *SOLD OUT*


2022 :
Friday, April 1st Het Bos, Antwerpen [BE]
Saturday, April 2nd AB-club, Brussels [BE]
Sunday, April 3rd Bumann, Köln [DE]
Monday, April 4th Paradiso, Amsterdam [NL]
Tuesday, April 5th Effenaar, Eindhoven [NL]
Wednesday, April 6th, Komedia, Brighton [UK]
Thursday, April 7th Hare & Hounds, Birmingham [UK]
Friday, April 8th The Sugar Club, Dublin [IE]
Saturday, April 9th Ulster Sports Club, Belfast [UK]
Sunday, April 10th Drygate, Glasgow [UK]
Monday, April 11th The Brudenell Social Club, Leeds [UK]
Tuesday, April 12th YES, Manchester [UK]
Thursday, April 14th EartH Theatre, London [UK] (venue change)
Friday, April 15th : La cave aux Poètes, Roubaix/Lille [FR]
Saturday, April 16th Le Hasard Ludique, Paris [FR]
Sunday, April 17th Doornroosje, Nijmegen [NL]
Monday, April 18th Molotow - Hamburg [DE]
Tuesday, April 19th Alice, Copenhagen [DK]
Wednesday, April 20th Nefertiti, Gothenburg [SE]
Thursday, April 21st Blaa, Oslo [NO]
Friday, April 22nd, Fasching, Stockholm [SE]
Saturday, April 23rd Plan B, Malmö [SE]
Sunday, April 24th Frannz Club, Berlin [DE]
Monday, April 25th UT Connewitz, Leipzig [DE]
Tuesday, April 26th Meetfactory, Prague [CZ]
Wednesday, April 27th Kapu, Linz [AU]
Thursday, April 28th Rote Fabrik, Zurich [CH]
Sunday, May 1st De Post, Oostende [BE]

Mdou Moctar online
Official site
Instagram
Facebook
Twitter

MC Yallah Online
Facebook
Twitter
Instagram

DARKSIDE - 'Spiral' Out Today




(photo : Jed DeMoss)

The long-awaited 2nd album from DARKSIDE (Nicolar Jaar and Dave Harrington) is finally out today and available on LP, CD and via all streaming platforms.

stream / purchase 'Spiral'

Tracklist

  1. Narrow Road

  2. The Limit

  3. The Question Is To See It All

  4. Lawmaker

  5. I’m the Echo

  6. Spiral

  7. Liberty Bell

  8. Inside Is Out There

  9. Only Young




DARKSIDE is an American rock band formed in Providence, Rhode Island in 2011. The group consists of Chilean electronic musician & vocalist Nicolás Jaar and American multi-instrumentalist Dave Harrington. Jaar and Harrington first met while studying in Providence through their common friend and saxophonist Will Epstein. In the summer of 2011, they toured Europe and Australia in support of Jaar's breakthrough debut album Space Is Only Noise.

Upon returning to Providence, they continued to write together, releasing their self-titled EP in 2012 and their critically acclaimed debut album 'Psychic' on Matador in October 2013. The album was met with glowing reviews, including a 9.0 from Pitchfork and the New York Times calling it "the soundtrack to a lost David Lynch sci-fi movie."

In the years that followed the 'Psychic' tour in 2014, the musicians moved on parallel and occasionally intersecting paths. Jaar would release five albums under his name and two collections of club music as Against All Logic. Harrington worked as a producer and composer, releasing two albums with his Dave Harrington Group. During that time he also played some 300 shows in NYC and Brooklyn, becoming deeply entrenched with a wide-ranging community of improvisers and collaborators, performing and recording with Yuka Honda, Brian Chase, Ilhan Ersahin, Genesis Breyer P-Orridge, Joe Russo, Innov Gnawa, Angel Deradoorian, The Master Musicians of Jajouka, Nels Cline, and more.

In the summer of 2018, Harrington and Jaar rented a small house on Lenni-Lenape territory, which is present-day Flemington, New Jersey. The group spent a week there, making a song a day. While it would take another year and a half to complete their second album, six songs from the band's new record 'Spiral were written and recorded during this initial session.

"From the beginning, DARKSIDE has been our jam band. Something we did on days off. When we reconvened, it was because we really couldn't wait to jam together again,” says Jaar. Harrington echoes this, “It felt like it was time again,” he said. "We do things in this band that we would never do on our own. DARKSIDE is the third being in the room that just kind of occurs when we make music together."

Darkside online :
website
Twitter
Instagram
Facebook
Darkside at Matador

Coming December 10 : The New Pornographers - 'Mass Romantic' 21st Anniversary Reissue









"Letter From An Occupant"
directed by Michael Dowse

This fall, Matador Records will celebrate the 21st anniversary of The New Pornographers’ debut record and breakout, 'Mass Romantic' (2000), with a limited-edition LP reissue out 12/10.

The album – clocking three singers and 12 effervescent and undeniable power-pop gems – will return to us on red vinyl and will include a bonus 7”, Letter From An Occupant, which includes two rare B-sides, “The End of Medicine” and “When I Was a Baby.”

(STREAM / PREORDER 'Mass Romantic')

What’s more, The New Pornographers will tour the U.S. and Canada this fall playing a series of two-night stands – performing Mass Romantic in its entirety on the first night and running down the equally outstanding Twin Cinema (16th Anniversary!) on the next. Throughout this trip, the band’s lineup will feature AC Newman, Dan Bejar, Joe Seiders, John Collins, Kathryn Calder, and Neko Case, and Todd Fancey.
Everyone wants to be successful but, hand to my heart, I had no delusions of success for The New Pornographers. To be here over 20 years later, still in the game, is something that I simultaneously take for granted (you just get used to it) and feel eternally grateful for. Been here so long that we can do one of those “let’s play that old album all the way through!” gigs. And we are doing just that. 2 nights per city: 1 Mass Romantic, 1 Twin Cinema, plus assorted “hits” from our storied career. Bejar is coming and God knows if we’ll get him again. When he moved to Spain 2 months after Mass Romantic came out, I thought he was done in the band and now 21 years later we’ve convinced him to come along for another ride. Just the nature of our band that it’s a special occasion when all the singers show up. Here’s to you showing up as well! - Carl Newman

The New Pornographers formed in Vancouver in 1997. The whole thing was Carl Newman’s idea – recruiting his favorite local talents Seven Samurai-style for an album that might stand up amidst their already formidable solo careers.

At the time, the parties involved included Newman, Dan Bejar (Destroyer), Neko Case, John Collins, Kurt Dahle, Fisher Rose, and Blaine Thurier.

All told, 'Mass Romantic' took three years to complete and was initially released in 2000 on Mint Records. From there, momentum seemed to build one members-only message board post at a time, with a small and vocal crowd of fans giving rise to wider excitement – critical praise, radio play, a Juno Award, Ray Davies jumping on stage at SXSW, and so on.

The old-fashioned record industry-types at Matador first learned of The New Pornographers through a store, Aquarius Records. In its newsletter, the much-missed San Francisco institution called Mass Romantic “absolutely shiningly great power pop” and “recommended for everyone.” The shop stumped for the record fervently – playing it, displaying it, and generally carrying on about the music to all who would listen. In just one year, Aquarius moved somewhere near 200 copies.

Nobody at Matador (well, almost nobody) could argue with that and the label licensed the Mass Romantic for distribution in Europe and, ultimately, signed the band outright, giving the record a wide reissue in 2002.

And plenty of stuff happened after that! What’s important, though, is that The New Pornographers are going on tour, Mass Romantic is turning 21, and the record is back on shelves December 10th



Mass Romantic LP

01 Mass Romantic
02 The Fake Headlines
03 The Slow Descent Into Alcoholism
04 Mystery Hours
05 Jackie
06 Letter From an Occupant
07 To Wild Homes
08 The Body Says No
09 Execution Day
10 Centre For Holy Wars
11 The Mary Martin Show
12 Breakin’ the Law

 

“Letter From An Occupant” 7”

A1 Letter From An Occupant
B1 The End of Medicine
B2 When I Was A Baby



The New Pornographers on Tour
(tickets)

Monday, November 29 Levon Helm Studios, Woodstock NY #
Tuesday, November 30 Levon Helm Studios, Woodstock NY &
Wednesday, December 1 9:30 Club, Washington DC #
Thursday, December 2 9:30 Club, Washington DC &
Friday, December 3 Webster Hall, New York NY #
Saturday, December 4 Webster Hall, New York NY &
Monday, December 6 Danforth Music Hall, Toronto ON #
Tuesday, December 7 Danforth Music Hall, Toronto ON &
Thursday, December 9 Neptune, Seattle WA #
Friday, December 10 Neptune, Seattle WA &
Saturday, December 11 Vogue Theater, Vancouver BC #
Sunday, December 12 Vogue Theater, Vancouver BC &

# Performing Mass Romantic in full
& Performing Twin Cinema in full

The Goon Sax - "Desire"

 



"Desire"
directed by Eddie Whelan

Tomorrow, The Goon Sax will release their third album and Matador debut, 'Mirror II'. To mark the occasion, the band has posted a new single and video, “Desire,” which features Riley Jones on lead vocals.

Jones says of the track:
“When I wrote ‘Desire’, I lived with James and Louis in a share house in Paddington, Brisbane called Fantasy Planet. Technically, it was written out like “$ ? a Planet.” It was my friend Tim Green’s reference to the psychoanalytic theory of Jacques Lacan. In my basic understanding of the way Lacan theorized fantasy, desire is founded upon a lack. The diamond (?) represents all the ways we relate to a lost object: everything above, below, around, more than, less than, with, without, in spite of, and because of it. The cause of our desire is a gap that we are always trying to fill, even while it constantly evades us.

Desire is complex. Unconscious attachments hang on invisible threads. Fantasies and daydreams emerge, dangerous hallucinations cause reckless actions, misremembrance causes total distortion. I think that’s why we have to resort to symbols to express it. This song is my symbol (?). I wanted it to feel as expansive as a Les Rallizes Dénudés song - to reverberate beneath waters that flood all the crevices of the earth, to leave no gap unfilled and I wanted it to be as universal as one of those crushing Elvis songs - so poignant that its sentiment seems to ring out forever, just like Desire.”

presave/preorder 'Mirror II'

(limited quantity of signed photos of The Goon Sax available with purchase of 'Mirror II' from the band's webstore or direct from Matador)

The Goon Sax live :

Wednesday, September 1 Hare & Hounds, Birmingham UK
September 2 – 5 End of the Road Festival, Salisbury UK
Monday, September 6 Moth Club, London UK
Tuesday, September 7 Pink Room, Manchester UK
Wednesday, September 8, Mono, Glasgow UK
Sunday, October 10 Sound City, Ipswich UK

The Goon Sax Online
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TikTok
official website

Coming August 27 : Steve Gunn - 'Other You'





(photo : Stephanie Nicole Smith)
“I came up with this title when we were recording vocals and Rob was very into harmonies. There was a third part and I just couldn’t find the note. I couldn’t vocalize it. He went in and took my voice and put it into his computer program, then he could playback and “sing” the note with my voice using the computer. And he said, ‘Sing to the other you.’ So I was singing along to myself singing a note I couldn’t sing" – Steve Gunn

'Other You' is the sixth studio album by Steve Gunn, scheduled for release August 27. Recorded during two visits to Los Angeles in late 2020 and early 2021, the album was made with veteran producer Rob Schnapf (Beck, Elliott Smith, Cass McCombs, Kurt Vile) at his Mant Studios alongside musician and longtime friend and collaborator Justin Tripp, whose credits include appearances on Gunn’s 'Time Off' and 'Way Out Weather'.

The relocation was in a way more than geographical – the surroundings, warm climate and tight-knit studio team encouraged Gunn to tap into new approaches, techniques and emotional reservoirs, casting off established notions, habits and hangups. A featherlight touch coasts through the album – from the classical guitar and piano interplay and soulful baritone of the title track, nimble drum brush swing at the heart of "Fulton" and "The Painter", slow-burn kosmische rock of "Protection", electric piano pulses and majestic tremolo stabs of "Reflection", to the cascading harps of 'Sugar Kiss’ – it is easily Gunn's brightest and most life-affirming work to date.

He is assisted by contributions come from friends and fellow artists including Julianna Barwick, Mary Lattimore, Bridget St. John, Jeff Parker, Bill MacKay, Ben Bertrand, drummer Ryan Sawyer (Bent Arcana, Tall Firs, Gang Gang Dance), and others.

presave / preorder 'Other You'

stream / download "Other You" and "Reflection"
Steve Gunn’s 'Way Out Weather', from 2014 was not only a career highlight for the artist himself, who had formerly travelled most often in more experimental and more improvisatory musical communities, but it was also an important milestone in the story of contemporary independent music of the rock and roll variety in the world at large. Unapologetically guitar-oriented, with an emphasis on finger-picking and pedal steel, country-and-folk-inflected but without being reductively so, full of reverence for the song as a form, 'Way Out Weather' seemed, as the title suggests, both way out, as in turned on, as in certain great works past of the psychedelic period—Skip Spence, John Fahey, and Doug Sahm—but also way out, as in mapping a way out of rock and roll’s dead ends, its stylistic repetitions. It was a bit of a contemporary masterpiece, unexpected and rich.
And: perhaps most revelatory in retrospect was the singing.

On 'Way Out Weather', Gunn was discovering himself as a singer, and you could hear it happening. The melodies did similar things from song to song, the lyrics as much about texture and kinds of vowel sounds, like waves of semantic possibility. The words appeared amid relaxed instrumental breaks, expansive guitar flights, a hovering, a mood. For all of the beautiful instrumental writing, Gunn’s voice, with its faint evocations of Philly soul and classic country and western, part Marvin Gaye, part Willie Nelson, part Nick Drake, became a thing to delight in, even if unexpected.

After 'Way Out Weather', the artist headed off in different directions. While continuing to investigate improvised and instrumental music, in, e.g., his beloved Gunn-Truscinski Duo, he moved in the song-oriented albums toward an eighties and nineties post-punk sort of a sound, where The Feelies or early Sonic Youth or Television did not seem like outlandish comparisons. 'Eyes on the Lines' (2016), most evidently, is simply a brash and uncompromising rock and roll record about relationships between electric guitar parts, it’s beautiful without being punctilious, lyrical and elevated without ever being pretentious or self-conscious. And 'The Unseen In Between' (2019) reversed course toward the acoustic guitar, and toward much more ambitious melodies. As with the prior two albums, Gunn seemed drawn to lines of verse in trimeter and tetrameter, three and four beats, and the lyrics were familiarly abstract, more about waves of meaning, allusive, and yet you could begin to see where he was going, what idea of songcraft was rising up like a morning flecked with clouds, in which the shadows dappled the landscape, in which a feeling, above all, washed over you.

And thus the beginning of a shined-up, mid-sixties pop apotheosis, a state of high songwriting accomplishment, on Gunn’s new album 'Other You'. It’s a journey that can’t help but summon up 'Way Out Weather', the transformative ambition of that earlier record, its refreshing set of ideas about what was interesting about psychedelia, a love for the guitar as an instrument, but even more so here, on 'Other You', we have melody, timbral originality, a keen ear for production. Above all, the voice and lyrics take a new front seat on 'Other You', right where we can hear them. Gunn has allowed himself to be more apparent, like the Michael Stipe who suddenly appeared out of the murk on 'Document'. There’s a person inhabiting these songs, a subjectivity, not just one of the best guitarists in contemporary music, not just a reporter with a winsome observational genius, here, a singer-songwriter, with a first-person voice, even if the songs seem rarely or only glancingly confessional. Now we have beautiful shimmering melodies, great melodies, and also that aching voice, at the tenor edge, and harmonies, singing up front.

Then which is the “other” promised by the album, might we ask? An artist who is restless to try new things, and to move confidently in the direction of new techniques, new ways of playing, evident especially in some bright new textural flavors, like Mary Lattimore’s harp on the instrumental “Sugar Kiss,” the backward guitar solo on the title track, the synthesizers that abound, the Wurlitzer electric piano that anchors the blue-eyed soul of “Reflection,” the waves of keyboards on the bittersweet “Ever Feel That Way,” with its faint traces of Tropicalia, the snare drums wandering far afield. Other You aspires to the highest accomplishments of songcraft, in melody, and in arrangement, including even a modernist palette, a contemporary buffet of sonic backdrops that deepens any preconceptions we might have about Gunn’s normally historical gaze.

Throughout, the presence of producer Rob Schnapf, whose well-known credits include Beck Hansen’s early recordings, and the work of Elliott Smith, is fully integrated into the whole of 'Other You', resulting not only in a sound-bed of instrumental washes that Gunn has not used before, but also in making sure the voices are in the front, that the singer is right where you can feel him, so that the songs can be understood compositionally for what they are, likewise the poetry. And we might speak also, especially, of the keys (and bass) of Justin Tripp, also an important player on 'Way Out Weather', whose arrangement ideas are an especial flavor on every track. But, most of all: this Steve Gunn, the one up front, is a really gifted singer, slinky, gentle, but with a brassy quality, beautiful, with a great falsetto, he’s not just a guitarist, nor a songwriter of compositions that rely on guitar, he’s a guy who can turn a line, a Fred Neil for the 2020s, masterful and moving and unpredictable and bittersweet, who makes the words last, and who makes hooks count, who can write a memorable chorus, the kind that causes you to want to return and listen again.

Once before, this Steve Gunn made a career-statement, in 2014, said something about what music could do, what its legacy was, what its purpose could be now. It’s really seldom that an artist gets to do that twice, certainly unlikely that it can happen so quickly after the last truly exceptional album, and yet Steve Gunn has done exactly that on Other You, made something new and memorable.
You could imagine listening to 'Other You' on a trans-continental rail journey, or while summiting a mountain range, or while going through an enormous stack of your grandparents’ snapshots, or while baking a cake that has no particular occasion, or while sitting out a pandemic, or while realizing, looking out that window, that it’s okay to set aside your regrets, in this beautiful, hovering now, and listen. - Rick Moody

'Other You' track list

  • Other You

  • Fulton

  • Morning River

  • Good Wind

  • Circuit Rider

  • On The Way

  • Protection

  • The Painter

  • Reflection

  • Sugar Kiss

  • Ever Feel That Way








Steve Gunn on Tour

Thursday, July 22 The Bell House, Brooklyn NY *
Friday, July 23 Catskill Brewery, Livingston Manor NY *
Saturday, July 24 Backside 405, Burlington VT *
Sunday, July 25 Lions Club, Peaks Island ME *
Monday, July 26 Nova Arts, Keene NH *
Tuesday, July 27 Folk On, Newport RI *
Thursday, July 29 Cafe Nine, New Haven CT *
Thursday, December 2 Thalia Hall, Chicago IL #
Friday, December 3 Cedar Cultural Center, Minneapolis MN #
Saturday, December 4 Cactus Club, Milwaukee WI #
Sunday, December 5 Lakeside Inn, Lakeside MI #
Tuesday, December 7 Third Man, Nashville TN #
Wednesday, December 8 Terminal West, Atlanta GA #
Thursday, December 9 Recover Brands, Charlotte NC #
Friday, December 10 The Grey Eagle Tavern, Asheville NC #
Saturday, December 11 Cat's Cradle, Carrboro NC #
Sunday, December 12 Creative Alliance, Baltimore MD #
Tuesday, December 14 The Sinclair, Cambridge MA #
Wednesday, December 15 Gateway City Arts, Holyok
Thursday, December 16 Tubby's, Kingston NY #
Friday, December 17 Ardmore Music Hall, Ardmore PA #
Saturday, December 18 Bowery Ballroom, New York NY #

* w/ William Tyler
# w/ Jeff Parker

Steve Gunn Online
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Steve Gunn.com

Out Today : Car Seat Headrest - 'MADLO : Influences', 'MADLO : Remixes'



(art by Cate Wurtz)



(art by Cate Wurtz)



(photo : Carlos Cruz)

Today, Car Seat Headrest have made two new EPs available to stream and download – 'MADLO: Influences' and 'MADLO: Remixes'.

The former comprises covers of four tracks the band has cited as influences on 'Making A Door Less Open', including takes on songs by David Bowie, Nine Inch Nails, Kate Bush, and The Who. The latter is a 5-track EP of remixes that includes re-works by Superorganism, Scuba, yeule, Dntel, and 1 Trait Danger

stream / download 'MADLO Influences'
stream / download 'MADLO : Remixes'

Tracklists

MADLO: Influences
1. Golden Years (David Bowie)
2. Substitute (The Who)
3. March of the Pigs (Nine Inch Nails)
4. Running Up That Hill (Kate Bush)

MADLO: Remixes
1. Martin (Superorganism Remix)
2. Martin (1 Trait Danger Remix)
3. Weightlifters (Scuba Remix)
4. Deadlines (yeule Remix)
5. Life Worth Missing (Dntel Remix)

stream / purchase 'Making A Door Less Open'

Car Seat Headrest Online :

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Car Seat Headrest at Matador

Lucy Dacus - "Brando"


(transcription by Jacob Blizard)





(photo by Ebru Yildiz)

Later this month on June 25th, Lucy Dacus will release her new album, 'Home Video'. Today, she presents “Brando,” the album’s fourth track in a string of emotive singles - “VBS,” “Hot & Heavy,” and “Thumbs.” Continuing to showcase Dacus’ incredible storytelling and songwriting, “Brando” weaves together Old Hollywood references with frank observations of a temperamental relationship: “You called me cerebral // I didn't know what you meant // But now I do. Would it have killed you // to call me pretty instead? //I'm in a second story window // and you're yelling at me "Stella!" // and I'm laughing cause you think you're Brando but you'll never come close.” Hushed casio drums give way to a swell of instrumentation - synthesizer, synth hi hats, a range of guitars, and percussion. Dacus’ melody is an instant earworm.

“‘Brando’ refers to a very dramatic friend I had in high school whose whole personality was the media he consumed,” says Dacus. “He showed me a lot of amazing movies and music, but I think he was more interested in using me as a scrapbook of his own tastes than actually getting to know me. He claimed to know me better than anyone else but I started to feel like all he wanted from me was to be a scene partner in the movie of his life.”

stream / download "Brando"
presave / preorder 'Home Video'




Additionally, today kicks off a “Brando” video contest. Participants can send in a video of themselves dancing (or skateboarding, ice skating, roller blading, etc.) to the track for a chance to be in the official music video. All skill levels are welcome and more details can be found here.

Lucy Dacus On Tour (new dates in bold)

Wednesday, June 23 Red Rocks Amphitheater, Morrison CO @
Tuesday, July 27 Artpark Amphitheater, Lewiston NY !
Wednesday, July 28 Westville Music Bowl, New Haven CT !
Thursday, July 29 Levitt Pavilion SteelStacks !
Friday, July 30 Palladium, Worchester MA !
Saturday, July 31 Forest Hills Stadium, Queens NY !
Tuesday, August 3 Sprint Pavilion, Charlottesville VA !
Wednesday, August 4 Red Hat Amphitheater, Raleigh NC !
Thursday, August 5 Rabbit Rabbit, Asheville NC
Friday, August 6 The Eastern, Atlanta GA !
Sunday, August 8 Sloss Furnace, Birmingham AL !
Friday, September 10 The National, Richmond VA * - co-headlining with Julien Baker, + Thao & The Get Down Stay Down
Saturday, September 11 The National, Richmond VA * - co-headlining with Julien Baker + Bachelor  (SOLD OUT)
Monday, September 13 Haw River Ballroom, Saxapahaw NC %
Tuesday, September 14 Terminal West, Atlanta GA %
Wednesday, September 15 Brooklyn Bowl, Nashville TN %
Friday, September 17 Trees, Dallas TX %
Saturday, September 18 White Oak Music Hall (Downstairs), Houston TX %
Sunday, September 19 Scoot Inn, Austin TX %
Monday, September 20 Paper Tiger, San Antonio TX %
Wednesday, September 22 191 Toole, Tucson AZ %
Friday, September 24 The Theatre at Ace Hotel, Los Angeles CA %
Saturday, September 25 The Observatory OC, Santa Ana CA
Monday, September 27 The Fillmore, San Francisco, CA %
Thursday, September 30 Hollywood Theatre, Vancouver BC $
Friday, October 1 Wonder Ballroom, Portland OR $ (SOLD OUT)
Saturday, October 2 Neptune Theatre, Seattle WA $  (SOLD OUT)
Tuesday, October 5 Urban Lounge, Salt Lake City UT $
Wednesday, October 6 Bluebird Theater, Denver CO $
Friday, October 8 The Englert Theatre, Iowa City IA $
Saturday, October 9 First Avenue, Minneapolis MN $
Monday, October 11 The Vic Theatre, Chicago IL
Tuesday, October 12 Newport Music Hall, Columbus OH $
Thursday, October 14 The Opera House, Toronto ON $
Friday, October 15 L’Astral, Montreal QC $
Saturday, October 16 House of Blues, Boston MA $
Monday, October 18 Higher Ground, Burlington VT $
Wednesday, October 20 Union Transfer, Philadelphia PA ^
Friday, October 22 9:30 Club, Washington DC $ (SOLD OUT)
Saturday, October 23, 9:30 Club, Washington DC $
Monday, October 25 Brooklyn Steel, Brooklyn NY  (SOLD OUT)
Tuesday, October 26 Brooklyn Steel, Brooklyn NY

@ w/ Shakey Graves
! w/ Bright Eyes
* w/ Julien Baker, Special Guests
% w/ Bachelor
$ w/ Bartees Strange
^ w/ Shamir

Lucy Dacus Online
Website
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Facebook

Fucked Up - 'David Comes To Life' 10th Anniversary Edition







(photo by Daniel Boud)



directed by Robert Semmer

In 2011, Toronto’s Fucked Up delivered an album that chafed the edges of punk rock’s conceptual boundaries – a set of songs that splayed freely into unexpected instrumentation, psychedelic drift, and situationist philosophy. Its ambition was limitless and its run time opulent.

Which is to say, they made a concept album.

On December 10th, Matador Records will celebrate the 10th anniversary of Fucked Up’s titanic 78-minute early ’10s masterpiece, 'David Comes to Life;, with a limited-edition 2xLP reissue on lightbulb-yellow vinyl.

The group will also tour North America (East and West Coast dates) and the UK early next year performing the album in full. Find the complete list of dates below.

Today, you can listen to “The Truest Road,” drawn from a rarities LP that will be announced later this year. The compilation 'David’s Town' – a companion to 'David Comes to Life', previously available only on vinyl – has also been made available on streaming for the first time ever.

'David Comes To Life' is a story of lost love, global meltdown, depression, bombs, guilt and madness. Or is it? A modern-day morality tale set amid the dour backdrop of a British industrial town in the late ’70s, it’s a four-part play that follows the dark moods and inner psyche of the titular hero. At the same time, the reliability of the narrator gets called into question. The tables are turned, responsibility shifts, and the story goes meta.

Of course, you could always ignore the backstory and just listen to a fiercely imaginative double album of blistering, melodic rock'n'roll shot through with all manner of psychic weirdness

stream/preorder 'David Comes To Life'
stream / download "The Truest Road"
stream 'David's Town'





David Comes To Life Tracklist
01. Let Her Rest
02. Queen of Hearts
03. Under My Nose
04. The Other Shoe
05. Turn the Season
06. Running on Nothing
07. Remember My Name
08. A Slanted Tone
09. Serve Me Right
10. Truth I Know
11. Life in Paper
12. Ship of Fools
13. A Little Death
14. I Was There
15. Inside a Frame
16. The Recursive Girls
17. One More Night
18. Lights Go Up



Fucked Up on Tour, Tickets on Sale Friday
Wednesday, January 19 Club Saw, Ottawa ON
Thursday, January 20 Bar Le Ritz, Montreal QC
Friday, January 21 Sinclair, Boston MA
Saturday, January 22 Brooklyn Made, Brooklyn NY
Sunday, January 23 Underground Arts, Philadelphia PA
Monday, January 24 Union Stage, Washington DC
Tuesday, January 25 Mr. Smalls, Pittsburgh PA
Wednesday, January 26 Ace of Cups, Columbus OH
Friday, January 28 Shelter, Detroit MI
Saturday, February 5  Great Hall, Toronto ON

Fucked Up Online
Facebook
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Fucked Up website
David Comes To Life blog

 

 

 

Lucy Dacus - "VBS" Lyric Video



Transcription by Jacob Blizard

Following last month's release of Marin Leong's animated video for Lucy Dacus' "VBS", today we're releasing the official lyric video.  "VBS" is culled from Dacus' forthcoming 3rd album, 'Home Video', available everywhere June 25.

stream / download "VBS"

presave/preorder 'Home Video'

Lucy Dacus On Tour


Wednesday, June 23 Red Rocks Amphitheater, Morrison CO @
Thursday, July 29 Levitt Pavilion SteelStacks !
Friday, July 30 Palladium, Worchester MA !
Saturday, July 31 Forest Hills Stadium, Queens NY !
Friday, September 10 The National, Richmond VA * - co-headlining with Julien Baker, + Thao & The Get Down Stay Down
Saturday, September 11 The National, Richmond VA * - co-headlining with Julien Baker + Bachelor  (SOLD OUT)
Monday, September 13 Haw River Ballroom, Saxapahaw NC %
Tuesday, September 14 Terminal West, Atlanta GA %
Wednesday, September 15 Brooklyn Bowl, Nashville TN %
Friday, September 17 Trees, Dallas TX %
Saturday, September 18 White Oak Music Hall (Downstairs), Houston TX %
Sunday, September 19 Scoot Inn, Austin TX %
Monday, September 20 Paper Tiger, San Antonio TX %
Wednesday, September 22 191 Toole, Tucson AZ %
Friday, September 24 The Theatre at Ace Hotel, Los Angeles CA %
Saturday, September 25 The Observatory OC, Santa Ana CA
Monday, September 27 The Fillmore, San Francisco, CA %
Thursday, September 30 Hollywood Theatre, Vancouver BC $
Friday, October 1 Wonder Ballroom, Portland OR $
Saturday, October 2 Neptune Theatre, Seattle WA $
Tuesday, October 5 Urban Lounge, Salt Lake City UT $
Wednesday, October 6 Bluebird Theater, Denver CO $
Friday, October 8 The Englert Theatre, Iowa City IA $
Saturday, October 9 First Avenue, Minneapolis MN $
Monday, October 11 The Vic Theatre, Chicago IL
Tuesday, October 12 Newport Music Hall, Columbus OH $
Thursday, October 14 The Opera House, Toronto ON $
Friday, October 15 L’Astral, Montreal QC $
Saturday, October 16 House of Blues, Boston MA $
Monday, October 18 Higher Ground, Burlington VT $
Wednesday, October 20 Union Transfer, Philadelphia PA ^
Friday, October 22 9:30 Club, Washington DC $ (SOLD OUT)
Saturday, October 23, 9:30 Club, Washington DC $
Monday, October 25 Brooklyn Steel, Brooklyn NY  (SOLD OUT)
Tuesday, October 26 Brooklyn Steel, Brooklyn NY

@ w/ Shakey Graves
! w/ Bright Eyes
* w/ Julien Baker, Special Guests
% w/ Bachelor
$ w/ Bartees Strange
^ w/ Shamir

Lucy Dacus Online
Website
Twitter
Instagram
Facebook

new from DARKSIDE - "Lawmaker"





On July 23, DARKSIDE will release its second album, 'Spiral', via Matador Records.

Written and recorded in 2018, the album was mixed by Rashad Becker and mastered by Heba Kadry

Today, hear the third single, “Lawmaker.”

stream / download "Lawmaker"
presave / preorder 'Spiral'

Darkside online :
website
Twitter
Instagram
Facebook
Darkside at Matador

Out Today : Mdou Moctar - 'Afrique Victime'





Today, Mdou Moctar’s sixth album and first for Matador, 'Afrique Victime', finally takes off.

Recorded across four studios and two continents, the album has already drawn universal praise as a powerful rallying call – a melding of guitar pyrotechnics and full-blast noise with poetic meditations on love, inequality, and Western Africa’s exploitation at the hands of colonial powers.

Moctar and his band have also announced a full U.S. tour, which will begin in September and will include stops at Bonnaroo and the Treefort Music Festival. Find the complete itinerary below

Afrique Victime Tracklist

1. Chismiten
2. Taliat
3. Ya Habibti
4. Tala Tannam
5. Untitled
6. Asdikte Akal
7. Layla
8. Afrique Victime
9. Bismilahi Atagah

 





 

Mdou Moctar On Tour, Tickets On Sale Friday at 10am ET (new dates in bold)

Thursday, September 2 The Grey Eagle, Asheville NC
Friday, September 3 Bonnaroo, Manchester TN
Saturday, September 4 Terminal West, Atlanta GA
Sunday, September 5 Motorco Music Hall, Durham NC
Tuesday, September 7 Ottobar, Baltimore MD
Wednesday, September 8 Johnny Brenda’s, Philadelphia PA
Friday, September 10 Music Hall of Williamsburg, Brooklyn NY
Saturday, September 11 Gateway City Arts, Holyoke MA
Sunday, September 12 The Sinclair, Boston MA
Tuesday, September 14 Thunderbird Café & Music Hall, Pittsburgh PA
Wednesday, September 15 Ace of Cups, Columbus OH
Friday, September 17 Lincoln Hall, Chicago IL
Saturday, September 18 Cedar Cultural Center, Minneapolis MN
Monday, September 20 Globe Hall, Denver CO
Tuesday, September 21 Globe Hall, Denver CO
Wednesday, September 22 Urban Lounge, Salt Lake City UT
Thursday, September 23 Treefort Music Festival, Boise ID
Friday, September 24 The Crocodile, Seattle WA
Saturday, September 25 Mississippi Studios, Portland OR
Sunday, September 26 Mississippi Studios, Portland OR
Tuesday, September 28 The Chapel, San Francisco CA
Wednesday, September 29 Starline, Oakland CA
Friday, October 1 Desert Daze Pre-Party, Pioneertown CA
Saturday, October 2 Lodge Room, Los Angeles CA

Mdou Moctar online
Official site
Instagram
Facebook
Twitter

Coming July 9 : The Goon Sax - 'Mirror II'





(photo : Elliott Lauren)



"In The Stone"
Directed by Mara Palena

The Goon Sax have announced a new album 'Mirror II', to be released July 9th on Matador Records. The band’s third full-length and first for Matador, 'Mirror lI' is a new beginning: a multi-dimensional eclectic journey of musical craftsmanship that moves from disco to folk to no wave skronk with staggering cohesion. The first-person narratives of their school days have graduated into an immersive and fluid world, one where “the narrator changes, the view-point isn’t definitive”. Songs have been made expansive, more universal, more weird— as introduced by the supernatural avant-pop of first single ‘In The Stone,’ directed by Mara Palena.

(presave / preorder 'Mirror II')
(stream / download "In The Stone")

“‘In The Stone’ is set in Berlin where I moved with my partner at the time, just after finishing school and recording our last album We’re Not Talking at the end of 2017,” says Louis Forster. “We were both exploring ourselves - accepting each other's changes and celebrating flux - but also reckoning with the complicated need for a solid sense of self and the person we loved. Musically the song was influenced by what was playing in the background of our conversations which often took place in Ubers, supermarkets, outside parties etc. So, it probably bears more of a subconsciously absorbed modern pop influence than anything else we’ve done as a band.”

The band have also confirmed a run of UK dates in September, including a headline show at London’s MOTH Club on September 6th and a slot at End Of The Road festival. A full list of dates can be found below.
Since forming in high school, Brisbane band The Goon Sax— the trio of Riley Jones, Louis Forster, and James Harrison, best friends who take turns writing, singing, and playing each instrument— have been celebrated for their kinetic homemade pop.

On their debut album, 2016’s Up to Anything, it was their candid affection and scrappy instrumentation that drew praise; 2018’s We’re Not Talking was exalted for the same—their massive choruses, a sharpening of their craft, then with an addition of horns, strings, piano, and castanets to their guitar/bass/drums.

'Mirror ll', recorded in Bristol at Invada Studios, owned by Geoff Barrow of Portishead and Beak, with producer John Parish (Aldous Harding, PJ Harvey), is the result of three years of writing, and some considerable time spent apart: Louis relocated to Berlin and worked at a cinema (he sings in German on the track ‘Bathwater’), Riley and James formed an angular post-punk band called Soot. All three experimented with abstract, atonal sounds before recapturing the essence of The Goon Sax: “pop melody,” Louis explains. “The first two albums are inherently linked. They had three-word titles; they went together. This one definitely felt like going back to square one and starting again, and that was really freeing.”

“We lived in a shared house together, this tiny little Queenslander we called ‘Fantasy Planet,’ where we wrote the album,” Riley explains. “We were able to go to each other’s rooms and say anything that came to mind and go to the practice room three times a week. It was pretty intense.”

'Mirror II'  is intense, the sum of everything that has always made The Goon Sax great: robust sprechgesang, raw lyrical candor, ascending guitar pop structures that would make the most storied jangle bands blush, elevated into their newfound narrative verisimilitude and expanded sonic experimentations.

Riley’s bubblegum noise is more present than ever before (“Desire”, “Tag”) reflecting her heavy Les Rallizes Dénudés and Keiji Haino influence, and some Kylie Minogue-inspired “sparkle sound”.

Louis’ moody, shapeshifting pop (“Psychic”, “In the Stone”) stems from an admiration for HTRK, Young Marble Giants, Stereolab, The Motels’ ‘Total Control’, Justin Beiber’s ‘Sorry’, Chris Kraus’s I Love Dick and Diane Di Prima’s Memoirs of a Beatnik in equal measure.

James’ psychedelic folk (“Carpetry”, “Caterpillars”) is no doubt studied from The Walker Brothers, Jandek, Felt, and Pink Floyd’s Syd Barrett. “I got into Syd Barrett’s lyrics because they were hazy, relatable and honest but up in the air. That’s how I felt,” he says of his whimsical songs. “I was experiencing romantic love for the first time, it felt out of my control, and there’s something about Syd Barrett’s lyrics… it doesn’t just come from inside us; it is the moments that are happening to us as well.”

Those uninhibited combinations wouldn’t work for most bands, but then again, The Goon Sax aren’t most bands: their deep trust in one another is the very spirit of 'Mirror ll'. “I was reading 'The Philosophy of Andy Warhol' the other day. He said something so perfect… ‘I’m sure I’m going to look in the mirror and see nothing. People are always calling me a mirror, and if a mirror looks into a mirror, what is there to see?’” Riley recites. “The name ['Mirror II'] was totally arbitrary to begin with, but it became about reflecting on reflection: we all get so influenced by each other. You find other people who show you yourself, who you are.” - Maria Sherman.

'Mirror II' Tracklist
01. In the Stone
02. Psychic
03. Tag
04. Temples
05. The Chance
06. Bathwater
07. Desire
08. Carpetry
09. Til Dawn
10. Caterpillars

‘Mirror II’ is available on LP in a die-cut sleeve, available on white vinyl at participating independent record stores, on CD, and with a new t-shirt available exclusively on the Matador webstore. Orders will be accompanied by a glossy photo print signed by the band while supplies last. The Goon Sax is distributed by Chapter Music in Australia and New Zealand.





The Goon Sax On Tour, (Dates in Bold On Sale Friday at 10am UK)

Friday, May 21 The Zoo, Brisbane AU
Saturday, May 29 Mary’s Underground, Sydney AU
Thursday, June 3 Rising Festival, Melbourne AU
Wednesday, September 1 Hare & Hounds, Birmingham UK
September 2 – 5 End of the Road Festival, Salisbury UK
Monday, September 6 Moth Club, London UK
Tuesday, September 7 Pink Room, Manchester UK
Wednesday, September 8, Mono, Glasgow UK


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The Goon Sax - "In The Stone" Video Coming May 12



Premiering tomorrow (Wednesday, May 12) at 10am eastern,
The Goon Sax - "In The Stone"

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Matador Revisionist History Podcast, Ep. 2: Kurt Vile & John Agnello





We return today with the second installment of the Matador Revisionist History podcast, which pairs artists and collaborators to discuss a Matador album celebrating a noteworthy anniversary.

This episode honors Kurt Vile’s eternal and undeniable classic, 'Smoke Ring For My Halo' (2011), which celebrated its 10th birthday back in March.

Here, Kurt and producer John Agnello reminisce on the making of the record — setting the scene (“We were like the suburban Ramones,” says Kurt), geeking out, and hinting at the moment’s make-it-or-break-it pressures (“Better not fuck it up,” Kim Gordon told Agnello). Kurt and John both wind up using the word “magic” a lot and not without reason.

More Revisionist History action is on the way as we close in on big dates for Fucked Up, Gang of Four, Mission of Burma, and The New Pornographers.

And, of course, you can revisit our debut episode, which features Mary Timony, Liz Phair, and Snail Mail’s Lindsey Jordan.

'Smoke Ring For My Halo' LP/CDs are on sale now through May 18th. No discount code necessary.

purchase / stream  'Speed, Sound, Lonely KV (ep)'
Stream/Purchase Bottle It In

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Lucy Dacus - "Hot & Heavy" Lyric Video



(transcription by Jacob Blizard)

Following Lucy Dacus' video for "Hot & Heavy" (co-directed by  Marin Leong) earlier this month, this morning marks the release of a lyric clip for the second single from Dacus' eagerly anticipated 3rd album, 'Home Video' (out June 25).

stream/download "Hot & Heavy"
presave/preorder 'Home Video'

Lucy Dacus On Tour
Friday, September 10 The National, Richmond VA * - co-headlining with Julien Baker
Saturday, September 11 The National, Richmond VA * - co-headlining with Julien Baker
Monday, September 13 Haw River Ballroom, Saxapahaw NC %
Tuesday, September 14 Terminal West, Atlanta GA %
Wednesday, September 15 Brooklyn Bowl, Nashville TN %
Friday, September 17 Trees, Dallas TX %
Saturday, September 18 White Oak Music Hall (Downstairs), Houston TX %
Sunday, September 19 Scoot Inn, Austin TX %
Monday, September 20 Paper Tiger, San Antonio TX %
Wednesday, September 22 191 Toole, Tucson AZ %
Friday, September 24 The Theatre at Ace Hotel, Los Angeles CA %
Saturday, September 25 The Observatory OC, Santa Ana CA
Monday, September 27 The Fillmore, San Francisco, CA %
Thursday, September 30 Hollywood Theatre, Vancouver BC $
Friday, October 1 Wonder Ballroom, Portland OR $
Saturday, October 2 Neptune Theatre, Seattle WA $
Tuesday, October 5 Urban Lounge, Salt Lake City UT $
Friday, October 8 The Englert Theatre, Iowa City IA $
Saturday, October 9 First Avenue, Minneapolis MN $
Monday, October 11 The Vic Theatre, Chicago IL
Tuesday, October 12 Newport Music Hall, Columbus OH $
Thursday, October 14 The Opera House, Toronto ON $
Friday, October 15 L’Astral, Montreal QC $
Saturday, October 16 House of Blues, Boston MA $
Monday, October 18 Higher Ground, Burlington VT $
Wednesday, October 20 Union Transfer, Philadelphia PA ^
Friday, October 22 9:30 Club, Washington DC $
Monday, October 25 Brooklyn Steel, Brooklyn NY

* w/ Julien Baker, Special Guests
% w/ Bachelor
$ w/ Bartees Strange
^ w/ Shamir

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