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The MataBlog is edited by Matador Records’ co-moaner Gerard Cosloy and individual entries are the work of whoever’s name is next to them. If you enjoyed something in the MataBlog, thank you very much! If there was something you found particularly troubling, please be advised that a) maybe you should read it again and b) the contents of this blog do not necessarily represent the opinions of Matador Records, Beggars Group, the combined staff of either company, nor the Matador artist roster. Opinions are like friends — hardly anyone has one worth listening to.

Stephen Malkmus - "Juliefuckingette" + Rescheduled Spring 2021 Tour Dates



Stephen Malkmus presents “Juliefuckingette,” an A-side-worthy B-side off Traditional Techniques, his album released earlier this year. Additionally, he announces a rescheduled North American tour slated for March and April 2021. As with Traditional Techniques, “Juliefuckingette” is new phase folk music for new phase folks. Malkmus’ wry lyricism unwinds over his 12-string acoustic guitar: “Abolish the fanfiction set // I don’t wanna clean up the logorrhea mess // It’s the last brand standing // You know you wanna kill it but you can’t kill that quite yet.”



Traditional Techniques presents Malkmus as attuned as ever to the rhythms of the ever-evolving lingual slipstream. Informed by a half-century of folk-rock reference points, Malkmus drew from a whole new musical palette for Traditional Techniques--including a variety of Afghani instruments--to support an ache both quizzical and contemporary. Alongside gorgeous folk music, Traditional Techniques presents occasional bursts of flute-laced swagger, straight-up commune rock, and mind-bending fuzz. He’s joined throughout by Matt Sweeney and Chris Funk.

Stream / Purchase Traditional Techniques



Stephen Malkmus on Tour
Tuesday, March 2 Fine Line Music Cafe, Minneapolis MN
Wednesday, March 3 Turner Hall, Milwaukee WI
Thursday, March 4 Thalia Hall, Chicago IL
Friday, March 5 Headliners, Louisville KY
Saturday, March 6 Cannery Ballroom, Nashville TN
Sunday, March 7 Terminal West, Atlanta GA
Tuesday, March 9 Orange Peel, Asheville NC
Wednesday, March 10 Cat's Cradle, Carrboro NC
Thursday, March 11 The National, Richmond VA
Friday, March 12 Black Cat, Washington DC
Saturday, March 13 Union Transfer, Philadelphia PA
Sunday, March 14 Webster Hall, New York NY
Tuesday, March 16 Royale, Boston MA
Wednesday, March 17 Higher Ground Ballroom, Burlington VT
Thursday, March 18 L'Astral, Montreal QC
Friday, March 19 Danforth Music Hall, Toronto ON
Saturday, March 20 Beachland Ballroom, Cleveland OH
Sunday, March 21 Majestic Theater, Detroit MI
Friday, April 9 Gothic Theatre, Englewood CO
Saturday, April 10 The Waiting Room, Omaha NE
Sunday, April 11 Granada Theater, Lawrence KS
Monday, April 12 Cain's Ballroom, Tulsa OK
Tuesday, April 13 Granada Theater, Dallas TX
Wednesday, April 14 The Mohawk, Austin TX
Friday, April 16 Lowbrow Palace, El Paso TX
Saturday, April 17 The Crescent Ballroom, Phoenix AZ
Sunday, April 18 Belly Up Tavern, Solana Beach CA
Monday, April 19 El Rey Theatre, Los Angeles CA
Tuesday, April 20 The Fillmore, San Francisco CA
Thursday, April 22 Wonder Ballroom, Portland OR
Friday, April 23 Imperial, Vancouver BC
Saturday, April 24 The Showbox, Seattle WA

All shows with openers Qais Essar & the Magik Carpet

Stephen Malkmus Online
StephenMalkmus.com
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Spoon - "Rainy Taxi (Big Beat)"



Spoon has released a new track "Rainy Taxi (Big Beat)" available exclusively on Bandcamp. A new take on "Rainy Taxi" from the 2014 LP They Want My Soul, the single was recorded remotely in May 2020 by Spoon's Britt Daniel and Alex Fischel in Austin TX and Los Angeles CA respectively.



During Bandcamp's 24 hour fee-waiving period today (Midnight PST Fri Sep 4 to Midnight PST Sat Sep 5) Spoon and Matador will donate all proceeds earned from the "Rainy Taxi (Big Beat)" single to Austin Community Foundation.

The premiere of the new track coincides with the release of Spoon's full discography on Bandcamp.

Buy / Stream Spoon catalog classics HERE.

Spoon online :

Facebook
Twitter
Instagram
Official Site
Bandcamp

Coming October 9 : Yo La Tengo - 'Sleepless Night'





"Wasn't Born To Follow"


(photo :  Noah Kalina)

On October 9th, Matador Records will release Yo La Tengo’s 'Sleepless Night' -- a six-song EP with one new song (“Bleeding”) plus covers of songs by The Byrds, The Delmore Brothers, Bob Dylan, Ronnie Lane, and The Flying Machine.


(photo : Ryoichi Kawajiri)

The tracks on 'Sleepless Night' were initially released as one side of an LP included within a limited-edition catalogue (published by LACMA and DelMonico Books/Prestel) for the LACMA exhibition, "Yoshitomo Nara", the first international retrospective for the artist Yoshitomo Nara (b. 1959). A longtime YLT fan, Nara worked in collaboration with the group -- Georgia Hubley, Ira Kaplan, and James McNew -- to choose the EP’s songs.

The Matador version of the EP is a single-sided 12” with original cover art by Nara, a drawing of the band by Hubley, and an illustration by McNew etched on the record’s flip.

Ira Kaplan on 'Sleepless Night':
We met Yoshitomo Nara in 2003, would see him at his art shows and our concerts. We dj’d at an opening at the Asia Society, and on another occasion he drew a picture of Georgia strangling me on a Gloomy pencil case that became one of Georgia’s prized possessions until it was stolen from her at the bar at the K-West hotel in Shepherd’s Bush. To make the catalogue of his 2020 exhibit at LACMA more personal, the idea came up to include an LP of some of Nara’s favorite songs as part of a deluxe edition.  We were asked to provide one side of the LP (and that one track be a new composition), with the other side being another six songs selected by Nara, in their original versions.  Here are the six songs we contributed to the LACMA record, chosen in collaboration with Nara.

I probably was introduced to "Blues Stay Away from Me” on NRBQ’s Workshop lp, working backwards to the Louvin Brothers and the Delmore Brothers (with a detour to Doug Sahm and Band). Our version was recorded by Mark Nevers in February 2011.  Charlie Louvin had died just a couple of days before. We were on a tour with William Tyler that came to an end in Nashville. The three of us and William and Kurt Wagner threw together an arrangement of “Blues Stay Away from Me” as a tribute and closed our show at the Exit/In with it. Since we were hanging around Nashville for a few days before going home, we went to Mark’s studio and recorded it.

“Wasn’t Born to Follow” was recorded by Gene Holder as part of the sessions that resulted in Stuff Like That There. Dave Schramm on lead guitar. I’m sure I heard the Byrds’ song for the first time when my mom took me and a bunch of my friends to see Easy Rider. (One kid was forbidden by his parents from joining us, as was my younger brother.  My dad took my brother to see Butch Cassidy instead, and I’m guessing my friend stayed home and did homework.)

Ronnie Lane didn’t write “Roll On Babe,” but his is the version we’re covering. James recorded it in Hoboken.  (And that song was among the songs Georgia played when we dj’d at the Asia Society.)

While making 'And Then Nothing Turned Itself Inside-Out' in Nashville, Roger Moutenot recorded Dylan’s “It Takes a Lot to Laugh, It Takes a Train to Cry” for a John Peel birthday show. As best as we can tell, we sent the one and only copy of the master to England. Yes, we’re as dumbfounded as you are, if not more so. After a lot of sleuthing, we came up with this.

“Bleeding” was written by us, recorded in Hoboken by James.

James also recorded The Flying Machine’s “Smile a Little Smile for Me” for Michael Shelley’s Super Hit Tsunami!, available to people who pledged to WFMU’s 2019 fundraising marathon.

Track List

Blues Stay Away
Wasn’t Born to Follow
Roll On Babe
It Takes a Lot to Laugh
Bleeding
Smile a Little Smile for Me

preorder / presave 'Sleepless Night'
stream / download "Wasn't Born To Follow"



Yo La Tengo online:

Official Site
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Facebook
Bandcamp

Yo La Tengo - 'We Have Amnesia Sometimes' + 2 Live Performances Streaming This Weekend



(photo : James McNew)

In case you haven’t caught on already, Yo La Tengo have spent the week quietly seeding the web with new music -- posting one song a day via their freshly minted Bandcamp page.

Today, we’re gathering it all into a single tidy zip file: 'We Have Amnesia Sometimes'. This digital collection features five instrumental compositions that Georgia Hubley, Ira Kaplan, and James McNew recorded over 10 days in late April and early May during socially distanced sessions at their rehearsal space in Hoboken, NJ. A vinyl edition will be available at a later date on Bandcamp via Egon.

Improvisatory and atmospheric, the music expands upon the moods and processes that informed the trio’s now-more-timely-than-ever 2018 full-length, 'There’s a Riot Going On'.
If you’ve spent any time hanging out with us at our rehearsal space in Hoboken — that pretty much covers none of you — you’ve heard us playing formlessly (he said, trying to sidestep the word “improvising”).  Most of the songs we’ve written in the last 25 years have begun that way, but often we do it for no other reason than to push away the outside world.

In late April, with the outside world weighing on everybody, we determined that the three of us could assemble in Hoboken without disobeying the rules laid out by Governor Murphy, and resumed . . . “practicing” hardly describes it, because we’ve done no practicing per se, and anyway what would we be practicing for . . . playing.  James set up one microphone in the middle of the room in case we stumbled on something useful for the future. Instead we decided to release some of the things we did right now.

-- Ira

Initially exclusive to Bandcamp, 'We Have Amnesia Sometimes' is today available via the streaming service of your choice.

'We Have Amnesia Sometimes' - Track List
1. "James and Ira demonstrate mysticism and some confusion holds (Monday)"
2. "Georgia thinks it’s probably okay (Tuesday)"
3. "James gets up and watches mourning birds with Abraham (Wednesday)"
4. "Georgia considers the two blue ones (Thursday)"


5. "Ira searches for the slide, sort of (Friday)"



This weekend Yo La Tengo will be streaming two performances shot at their rehearsal space, Saturday, July 18 at 9pm EDT and Sunday, July 19 at 1pm EDT, under the name 'We Have Amnesia Live'.

The sets will be unique, approximiately 30-45 minutes in length and  generated in the “formless” style of the 'We Have Amnesia Sometimes' recordings. Tickets will be $10 (or $18 for both shows) . All proceeds from the event will benefit the Brennan Center For Justice, a nonpartisan law and policy institute fighting for democracy – to ensure fair elections, to end mass incarceration, and to preserve civil liberties.

stream / purchase 'We Have Amnesia Sometimes'
preorder 'We Have Amensia Sometimes' on vinyl

Yo La Tengo online:

Official Site
Instagram
Twitter
Facebook
Bandcamp

boygenius : demos EP (Bandcamp) (24 Hours Only)



(photo : Lera Pentelute)


On Friday, July 3 boygenius -- Julien Baker, Phoebe Bridgers, and Lucy Dacus – will make three demos from their 2018 EP available digitally exclusively through Bandcamp.

The music will remain online for one day only, coinciding with the site’s 24-hour waiver of its revenue share.
.
Proceeds will be split between three charities, each member having selected an organization local to them :

Julien Baker, Phoebe Bridgers, and Lucy Dacus.

OUTMemphis, Downtown Women’s Center, and Mutual Aid Disaster Relief Richmond.

The demos are voice memo recordings of the songs “Bite the Hand,” “Me & My Dog,” and “Stay Down” that were taped in rehearsal on June 5th, 2018 the day before the group would enter the studio to record its eponymous EP.

Tracklist:
boygenius demos
1. Bite The Hand (June 5, 2018 demo)
2. Me & My Dog (June 5, 2018 demo)
3. Stay Down (June 5, 2018 demo)

Purchase/Stream boygenius

Julien Baker Online

Website
Facebook
Twitter
Instagram

Phoebe Bridgers online :
Website
Facebook
Twitter
Instagram

Lucy Dacus online :
Website
Facebook
Twitter
Instagram

Perfume Genius - "Fade Into You"




“I chose ‘Fade Into You’ because I carried it with me for a long time and I always looked to it for the warmth and the very heavy vibe that it always brings..It felt almost uncoverable but I wondered what I could do to make it sharper and maybe a little more desperate but still maintain the sort of beauty of it and the quietness of it.”  - Mike Hadreas

Perfume Genius' cover of Mazzy Star's "Fade Into You" is now available to stream or purchase via Amazon Music and can also be heard on the newly relaunched PROUD playlist.

stream / download "Fade Into You"
stream / purchase 'Set My Heart On Fire Immediately'

Perfume Genius Online
Website
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Twitter
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Algiers - "Can The Sub Bass Speak?" b/w "It All Comes Around Again" 7"



Today, ALGIERS will release a special edition 7” to support the struggle to end state violence against Black people and destroy white supremacy.

"Can the Sub_Bass Speak" b/w "It All Comes Around Again" will be available physically only through Bandcamp during the 24-hour period that the site is waiving its revenue share on June 5th. The songs will remain available online indefinitely.

All proceeds from the single will be donated to Metro Atlanta Mutual Aid Fund, As They Lay and Black Alliance for Just Immigration.

“This release has been created to support, in a small way, those who continue to struggle under life and death circumstances to end the miserable condition that exists for Black and other oppressed people in this country and its colonial world," writes the band." “We dedicate this to the families of those who have been murdered by the police state in America and encourage our supporters to continue to donate in their memory.”

The A-side -- previously released as a standalone single -- is drawn from the band's audiovisual collaboration of the same name and features contributions from saxophonics pioneer Skerik and drummer D’Vonne Lewis. "It All Comes Around Again" is an unreleased track available here for the first time.


purchase "Can The Sub-Bass Speak?" b/w "It All Comes Around Again" from Bandcamp
stream/purchase 'There Is No Year'

Algiers Online :

There Is No Year
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Website

Perfume Genius - "On The Floor" (Initial Talk Remix)





(Photo by Camille Vivier, Illustrated by Andrew JS)

Last month Perfume Genius released the single, “On The Floor,” off of his forthcoming album, 'Set My Heart On Fire Immediately'. Today, he drops a remix of the track from Tokyo-based producer, Initial Talk, noted for remix work for Dua Lipa, Rihanna, and Lady Gaga and is known for infusing early MTV-era 80’s sounds into his work. Here, “On The Floor” is reimagined into a dance club track that falls somewhere between Prince and Pet Shop Boys.

stream / download "On The Floor" (Intial Talk remix)


presave / preorder 'Set My Heart On Fire Immediately'

Perfume Genius Online
Website
Facebook
Twitter
Instagram

Car Seat Headrest - "There Must Be More Than Blood"




(art by Cate Wurtz)


(photo by Carlos Cruz)

Car Seat Headrest unveil a new song, “There Must Be More Than Blood,” ahead of the release of the forthcoming  'Making A Door Less Open', out May 1. .In addition, Will Toledo's self-directed video premiered earlier this morning after a dramatic (aren't they all?) YouTube countdown.

In its mesmeric slow burn, album centerpiece “There Must Be More Than Blood” presents another facet of the broad palette found on 'Making A Door Less Open', with Toledo placing emphasis on the individual songs, each with its own special energy.

stream / download "There Must Be More Than Blood"
presave / preorder 'Making A Door Less Open'

Car Seat Headrest Online :

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Car Seat Headrest at Matador

Steve Gunn - 'Livin' In Between' EP


(photo : Kevin Condon)

Since the release of Steve Gunn's critically acclaimed fourth studio album 'The Unseen In Between' and follow-up 'Unseen Acoustic' in 2019, we’ve been awaiting new material from the prolific songwriter and guitarist.  While today is not the day we debut said content, we're nonetheless pleased to report  Gunn has a new digital EP, 'Livin’ In Between' featuring three cover songs previously released last year as an Amazon Original and Aquarium Drunkard Lagniappe Session singles respectively, now available on streaming platforms for the first time. The EP showcases (some of)  Steve’s varied musical tastes, featuring a rendition of Neil Young’s “Motion Pictures (For Carrie)”, a thoughtful take on longtime collaborator Michael Chapman’s “Among The Trees”, and a  cover of The Misfits’ “Astro Zombies”.

Accolades for 'The Unseen In Between' keep rolling in, the most recent being a nomination for an A2IM Libera Award for “Best Americana Album”. On August 2nd, Steve and William Tyler will be performing together at the Newport Folk Festival.

stream / download 'Livin' In Between'

Tracklist
1. Motion Pictures (For Carrie)
2. Astro Zombies - Aquarium Drunkard Lagniappe Session
3. Among The Trees - Aquarium Drunkard Lagniappe Session

Stream/Purchase Acoustic Unseen EP

Stream/Purchase The Unseen In Between

Steve Gunn Online
Facebook
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Steve Gunn.com

VIDEO : Car Seat Headrest - "Hollywood"



Video directed by Sabrina Nichols



Illustration by Cate Wurtz



Car Seat Headrest release a new song, “Hollywood” today accompanied by a Sabrina Nichols-directed video and an acoustic version of the song.
“Hollywood” is taken from the band’s forthcoming new album 'Making A Door Less Open', out May 1.

“This song is about Hollywood as a place where people go to
make their fantasies come to life, and they end up exploiting
other people and doing terrible things to maintain their fantasy,”
says bandleader Will Toledo, whose alter ego Trait appears in
the video in animated form. “There's this terror you're going to
lose the fantasy, and you're going to have to face the facts, and
some people will do anything to avoid facing that. It’s about that fear, and the pain of being subjugated to someone else's fantasy against your will, and it's all tied together under this banner of this physical location of Hollywood that we all know about and dream about, but none of us really want to think about what is going on behind the scenes there.”

stream / download "Hollywood"
presave / preorder 'Making A Door Less Open'

Car Seat Headrest have cancelled their summer tour dates due to COVID-19, with plans to reschedule. Read a statement from Will Toledo here.

Car Seat Headrest Online
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Car Seat Headrest at Matador

Coming June 5 : Muzz - s/t album ; out today "Red Western Sky" video





"Red Western Sky"

Produced by Muzz
Director of Photography: Derek Sexton Horani
Assistant Camera: Michael Andrade

Muzz, the new project from Paul Banks (Interpol), Josh Kaufman (producer/multi-instrumentalist and one third of Bonny Light Horseman), and Matt Barrick (drummer of Jonathan Fire*Eater, The Walkmen, and Fleet Foxes’ touring band), will release their self-titled, debut album, on June 5th.  The album, written, arranged and performed by the trio, is dark, gorgeous, expansive and soulful.


(photo : Driely S.)

Muzz was born out of longstanding friendship and collaboration. Banks and Kaufman have known each other since childhood, attending high school together in Spain before separately moving to New York. There, they independently crossed paths with Barrick while running in similar music circles. They kept in touch in the following years: Barrick drummed in Banks + Steelz and on some of Kaufman's production sessions; Kaufman helped on Banks’ early Julian Plenti solo endeavour; various demos were collaborated on, and a studio was co-bought.

Taking shape at a simmer, the first Muzz recordings date back to 2015. A typical session incorporated demos Banks or Kaufman brought to the table with room for any member to build upon, or with a new skeleton composed during a jam in the live room. All three contributed lyrics and helped shape things vocally (a first for Banks who is usually the sole lyricist).

Josh has more training as a theory musician while Paul comes from a different perspective,” Barrick says. “You never know how Paul’s gonna approach a song, lyrically and melodically, so it’s always unusual and exciting. Everyone is open to everyone else’s ideas. I think three is a great number of people for a band. We all had a big hand in everything."

Sonically, “the music has this weird, super removed vibe but is also personal and emotional at the same time,” Kaufman says. “If something felt natural in a simple way, we left it. I’d never heard Paul’s voice framed like that—a string section, horns, guitars—we know none of that is visionary but it felt classic and kind of classy.” In fact, the band’s name holds a meaning that serves to describe that very feeling - Kaufman used the word “muzz” to describe the music’s subtle, analog quality and texture.

In conjunction with today’s announcement, Muzz present the galloping “Red Western Sky” with a video, directed and produced by the band. It’s the first video to ever be shot at the immersive, psychedelic American Treasure Tour Museum, a location chosen after a Barrick family visit. The single follows two previously released songs—the sparse and rustic “Broken Tambourine” and “Bad Feeling,” which chimes with melodic introspection. No matter the sonic direction Muzz go, they go there as if effortlessly and with maximum emotional charge.

Ultimately, the music speaks for itself,” says Banks. “We have a genuine, organic artistic chemistry together. It’s partly a shared musical taste from youth, as with me and Josh, but then it’s also the souls of my friends that resonate with me when expressed through music. I think it’s cosmic.

preorder / presave 'Muzz'
steam/download "Red Western Sky"

Muzz

Tracklist
1. Bad Feeling
2. Evergreen
3. Red Western Sky
4. Patchouli
5. Everything Like It Used To Be
6. Broken Tambourine
7. Knuckleduster
8. Chubby Checker
9. How Many Days
10. Summer Love
11. All Is Dead To Me
12. Trinidad



Muzz Online :
website
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Facebook

VIDEO : MUZZ - "Broken Tambourine"


"Broken Tambourine"

Production, concept and story by: Paul Banks
Creative Director, artist and animator: Griffin Frazen







Muzz is the new project of Paul Bank (singer of Interpol), Josh Kaufman (esteemed producer/multi-instrumentalist and one third of Bonny Light Horseman), and Matt Barrick (drummer of Jonathan Fire*Eater, The Walkmen, and Fleet Foxes’ touring band). Today, the trio release their first official single/video, “Broken Tambourine”. “Broken Tambourine” begins with sparse, floating piano by Kaufman, before surging with Banks’ rumbling vocals, Barrick’s low percussion, and a lilting clarinet, while an open door during recording brings in the surrounding nature sounds of the studio in Woodstock and augments the song’s spacious atmosphere. Written, arranged and performed by all three, it perfectly encompasses the collaborative essence of Muzz, a group with recordings dating back to 2015, but, cosmically speaking, with seeds planted long ago.






So how did we get here? Why, casually, of course. Banks and Kaufman have been friends since their formative teen years, having attended high school together overseas before separately moving to New York City for further study. They independently crossed paths with Barrick while running in similar music circles. Some years on, they each remained in touch: Barrick drummed in Banks’ project with The RZA, Banks + Steelz, and on some of Kaufman’s production sessions; Kaufman helped on Banks’s early Julian Plenti solo endeavor; various demos were collaborated on; a studio in Philadelphia was co- bought; “what if”s and “we should”s were tossed about. When the opportunity to make music as a trio presented itself, the gentlemen pounced.

While “Broken Tambourine” is the band’s first official song for Matador, earlier this month, Muzz dropped “Bad Feeling” anonymously via Soundcloud. Stereogum recognized it as “a surprisingly loose and low-key indie track that piles on layers of beauty as it goes.” It chimes and slinks with a touch of panache as Barrick’s kick drum pushes the tune along and Kaufman’s Farfisa fills the space. Together, these two initial numbers from Muzz offer an early glimpse into the band’s dark and expansive sound, and genuine artistic chemistry.

stream / download : "Broken Tambourine"



photo : Driley S.

Muzz Online :
website
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Facebook

VIDEO : Car Seat Headrest - "Martin"




(illustrator : Cate Wurtz)


The second track from the forthcoming Car Seat Headrest album, 'Making A Door Less Open' (out May 1), "Martin" is available today  ; the band-created lyric video is viewable above.

Car Seat Headrest's April date at North Adams' MASS MoCA has been rescheduled to September 4.

stream/download "Martin"
presave / preorder 'Making A Door Less Open'

Car Seat Headrest on tour :
Wednesday, May 27 Palace Theatre, St. Paul MN *
 Thursday, May 28 The Pabst Theater, Milwaukee WI *
 Friday, May 29 Vic Theatre, Chicago IL @
 Saturday, May 30 Vic Theatre, Chicago IL @
 Tuesday, June 2 Majestic Theatre, Detroit MI *
 Wednesday, June 3 Danforth Music Hall, Toronto ON *
Thursday, June 4 Danforth Music Hall, Toronto ON *
Saturday, June 6 House of Blues, Boston MA *
 Sunday, June 7 State Theatre, Portland ME *
 Tuesday, June 9 Brooklyn Steel, Brooklyn NY *
 Wednesday, June 10 Brooklyn Steel, Brooklyn NY *
 Thursday, June 11 Brooklyn Steel, Brooklyn NY *
Saturday, June 13 Franklin Music Hall, Philadelphia PA *
Sunday, June 14 The Anthem, Washington D.C. *
Tuesday, June 16 The Ritz, Raleigh NC *
Wednesday, June 17 The Orange Peel, Asheville NC (On sale Noon local time this Friday) *
Thursday, June 18 The Senate, Columbia SC *
Friday, June 19 Tabernacle, GA *
Saturday, June 20 Brooklyn Bowl Nashville, Nashville TN *
Thursday, July 9 The Commodore, Vancouver BC+
Friday, July 10 The Commodore, Vancouver BC+
Saturday, July 11 Paramount Theatre, Seattle WA+
Sunday, July 12 Roseland Theater, Portland OR+
Tuesday, July 14 The Warfield, San Francisco CA+
Friday, July 17 Observatory North Park, San Diego CA+
Saturday, July 18 The Wiltern, Los Angeles CA+
Sunday, July 19 The Van Buren, Phoenix AZ+
Wednesday, July 22 Stubb’s, Austin TX+
Thursday, July 23 White Oak Music Hall, Houston TX+
Friday, July 24 Granada Theater, Dallas TX+
Saturday, July 25 Tower Theatre, Oklahoma City OK+
Sunday, July 26 Crossroads KC at Grinder's, Kansas City MO+
Tuesday, July 28 Ogden Theatre, Denver CO+
 @ w/ Ron Gallo
* w/ Twin Peaks
+w/ Porridge Radio
 

Car Seat Headrest Online
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Car Seat Headrest at Matador

Out Today : King Krule - 'Man Alive!'


The new King Krule album, 'Man Alive' is available today from True Panther / Matador.  Stream or purchase here.

Track list :

01. Cellular
02. Supermarché
03. Stoned Again
04. Comet Face
05. The Dream
06. Perfecto Miserable
07. Alone, Omen 3
08. Slinky
09. Airport Antenatal Airplane
10. (Don’t Let The Dragon) Draag On
11. Theme For The Cross
12. Underclass
13. Energy Fleets
14. Please Complete Thee











stream / purchase  Man Alive!

King Krule On Tour :

Tuesday, March 3rd A.B, Brussels BE
Wednesday, March 4th L’Olympia, Paris FR
Friday, March 6th Melkweg, Amsterdam, NL
Saturday, March 7th K.B Hall, Copenhagen, DK
Sunday, March 8th Columbiahalle, Berlin DE
Thursday, March 19th Olympia, Dublin IE
Saturday, March 21st Barrowland, Glasgow UK
Sunday, March 22nd Albert Hall, Manchester UK
Tuesday, March 24th Brixton Academy, London UK
Wednesday, March 25th Brixton Academy, London UK
Thursday, April 2nd House of Blues, Dallas TX
Friday, April 3rd White Oak Music Hall, Houston TX
Saturday, April 4th Stubbs Waller Creek, Austin TX
Tuesday, April 7th Hollywood Palladium, Los Angeles CA
Wednesday, April 8th Fox Theatre, Oakland CA
Friday, April 10th Showbox Sodo, Seattle WA
Saturday, April 11th Roseland Theatre, Portland OR
Tuesday, April 14th First Avenue, Minneapolis MN
Wednesday, April 15th Riviera Theatre, Chicago IL
Friday, April 17th Queen Elizabeth Theatre, Toronto ON
Saturday, April 18th Mtelus, Montreal QC
Sunday, April 19th House of Blues, Boston MA
Tuesday, April 21st Union Transfer, Philadelphia PA
Wednesday, April 22nd 9.30 Club, Washington DC
Friday, April 24th Kings Theatre, Brooklyn NY
Saturday, April 25th Webster Hall, New York NY

King Krule Online
Website
Instagram
Facebook

King Krule - "Cellular"





This morning, King Krule premiered the 3rd single from the forthcoming 'Man Alive!', "Cellular", with a video directed and animated by Jamie Wolfe (above)



(photo : Charlotte Patmore)

'Man Alive!' is out February 21st via True Panther / Matador Records. Catch him on tour across North America in April (dates below)

Pre-order / Pre-save Man Alive! HERE

King Krule On Tour
Tuesday, March 3rd A.B, Brussels BE
Wednesday, March 4th L’Olympia, Paris FR
Friday, March 6th Melkweg, Amsterdam, NL
Saturday, March 7th K.B Hall, Copenhagen, DK
Sunday, March 8th Columbiahalle, Berlin DE
Thursday, March 19th Olympia, Dublin IE
Saturday, March 21st Barrowland, Glasgow UK
Sunday, March 22nd Albert Hall, Manchester UK
Tuesday, March 24th Brixton Academy, London UK
Wednesday, March 25th Brixton Academy, London UK
Thursday, April 2nd House of Blues, Dallas TX
Friday, April 3rd White Oak Music Hall, Houston TX
Saturday, April 4th Stubbs Waller Creek, Austin TX
Tuesday, April 7th Hollywood Palladium, Los Angeles CA
Wednesday, April 8th Fox Theatre, Oakland CA
Friday, April 10th Showbox Sodo, Seattle WA
Saturday, April 11th Roseland Theatre, Portland OR
Tuesday, April 14th First Avenue, Minneapolis MN
Wednesday, April 15th Riviera Theatre, Chicago IL
Friday, April 17th Queen Elizabeth Theatre, Toronto ON
Saturday, April 18th Mtelus, Montreal QC
Sunday, April 19th House of Blues, Boston MA
Tuesday, April 21st Union Transfer, Philadelphia PA
Wednesday, April 22nd 9.30 Club, Washington DC
Friday, April 24th Kings Theatre, Brooklyn NY
Saturday, April 25th Webster Hall, New York NY

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Coming March 6: Stephen Malkmus - "Traditional Techniques" + "Xian Man" Premiere + US/CA Spring 2020 Tour



(L to R: Stephen Malkmus, Chris Funk, Matt Sweeney. Photo by Samuel Gehrke and Chris Shonting.)


(Album artwork by Jan Lankisch)


Stephen Malkmus has announced his new album, Traditional Techniques, out March 6th via Matador, lead single “Xian Man,” and a North American tour. Traditional Techniques, Malkmus’ third solo LP without the Jicks (or Pavement), is new phase folk music for new phase folks, with Malkmus as attuned as ever to the rhythms of the ever-evolving lingual slipstream. It’s packed with handmade arrangements, modern folklore, and 10 songs written and performed in his singular voice. An adventurous new album in an instantly familiar mode, Traditional Techniques creates a serendipitous trilogy with the loose fuzz of the Jicks’ Sparkle Hard (2018) and the solo bedroom experiments of Groove Denied (2019). Taken together, these three very different full-lengths in three years highlight an ever-curious songwriter committed to finding untouched territory.





Pre-order/Pre-save Traditional Techniques

Stream/Download "Xian Man"

Traditional Techniques
01 ACC Kirtan
02 Xian Man
03 The Greatest Own in Legal History
04 Cash Up
05 Shadowbanned
06 What Kind Of Person
07 Flowin’ Robes
08 Brainwashed
09 Signal Western
10 Amberjack





Traditional Techniques will be available in a standard CD/black LP format, and as a red vinyl stamp-numbered edition limited to 500 with risographed red, white, and black alternate cover.







Malkmus will embark on a North American tour this spring with an entirely new band (more shows will be announced in the weeks to come). The Traditional Techniques live band is Malkmus (vocals, guitar), Funk (pedal steel, keys), Sweeney (guitar), Brad Truax (bass), and Jake Morris (drums), joined at times by Qais Essar (rabab) and Eric Zang (kaval, udu, daf). A full list of dates can be found below and tickets are on sale Friday, January 24th at 10am local time.

Stephen Malkmus on Tour
Tuesday, March 31 First Avenue, Minneapolis MN
Wednesday, April 1 Turner Hall, Milwaukee WI
Thursday, April 2 Thalia Hall, Chicago IL
Friday, April 3 Headliners, Louisville KY
Saturday, April 4 Cannery Ballroom, Nashville TN
Sunday, April 5 Terminal West, Atlanta GA
Tuesday, April 7 Orange Peel, Asheville NC
Wednesday, April 8 Cat's Cradle, Carrboro NC
Thursday, April 9 The National, Richmond VA
Friday, April 10 Black Cat, Washington DC
Saturday, April 11 Union Transfer, Philadelphia PA
Monday, April 13 Webster Hall, New York NY
Wednesday, April 15 Royale, Boston MA
Thursday, April 16 L'Astral, Montreal QC
Friday, April 17 Danforth Music Hall, Toronto ON
Saturday, April 18 Beachland Ballroom, Cleveland OH
Sunday, April 19 St. Andrew's Hall, Detroit MI
Is that a goddamn bouzouki? you may ask. A pedal steel guitar? What kind of Stephen Malkmus album is this, anyway?

It’s called folk music, and it’s taking the country by storm. Stephen Malkmus is only the latest popular artist to apply this old new approach to their rock and roll sounds.

Take the name Traditional Techniques with as much salt as you’d like or dig the Adorno reference, Malkmus’s third solo LP without the Jicks (or Pavement) is as organic as they come. It’s packed with handmade arrangements, modern folklore, and 10 songs written and performed in Malkmus’s singular voice. An adventurous new album in an instantly familiar mode, Traditional Techniques creates a serendipitous trilogy with the loose fuzz of the Jicks’ Sparkle Hard (Matador, 2018) and the solo bedroom experiments of Groove Denied (Matador, 2019). Taken together, these three very different full-lengths in three years highlight an ever-curious songwriter committed to finding untouched territory. Perhaps some of these “folk” musicians could take a lesson or two.

Created in the spontaneous west coast style adopted so infectiously by young American musicians in this time of global turmoil, Malkmus took on Traditional Techniques as a kind of self-dare. Conceived while recording Sparkle Hard with the Jicks at Portland’s Halfling Studio, Malkmus had observed the variety of acoustic instruments available for use. The idea escalated within a matter of weeks into a full set of songs and shortly thereafter into a realized and fully committed album. When he returned to Halfling, Malkmus drew from a whole new musical palette--including a variety of Afghani instruments--to support an ache both quizzical and contemporary. Stephen Malkmus isn’t one of those “hung up” musicians one reads about so frequently these days, sequestered in a jungle room of the heart. The jukebox in Malkmus’s private grotto remains fully updated. Not only is the artist present, but he’s on Twitter.

Traditional Techniques is new phase folk music for new phase folks, with Malkmus as attuned as ever to the rhythms of the ever-evolving lingual slipstream. Instead of roses, briars, and long black veils, prepare for owns, cracked emojis, and shadowbans. Centered around the songwriter’s 12-string acoustic guitar, and informed by a half-century of folk-rock reference points, Traditional Techniques is the product of Malkmus and Halfling engineer/arranger-in-residence Chris Funk (The Decemberists). Playing guitar is friend-to-all-heads Matt Sweeney (Bonnie “Prince” Billy, Chavez, and too many other to count), who’d previously crossed paths with Malkmus on the opposite end of the longhairs’ map of the world, most lately gnarling out together back east in the jam conglomerate Endless Boogie.

But, buyer beware, no matter how these recordings might be tagged by your nearest algorithm, the expansive and thrilling folk-rock sounds of Traditional Techniques aren’t SM Unplugged. One might even question his commitment to acoustic instruments, but we’ll leave that for somebody else’s hot take. All we’re saying is watch your head. Because alongside all that gorgeous folk music (“The Greatest Own in Legal History,” “Cash Up”), there are also occasional bursts of flute-laced swagger (“Shadowbanned”), straight-up commune rock (“Xian Man”), and mind-bending fuzz in places you least expect it (“Brainwashed”).

It’s hard to call Traditional Techniques “long awaited,” because Stephen Malkmus just put out an album last year, but it’s also exactly that. While he may have taken his sweet time in jumping on the folk music boom, surely there are those among us who have fantasized about how lovely it might sound if SM would just get with the times. And it sounds like all that and beyond. Set a day or two aside to transcribe the lyrics like the Dylanlogists of yore (though please keep your garbology to yourself) and vibe on the shape of folk to come with Stephen Malkmus.

- Jesse Jarnow

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Coming February 21: King Krule - "Man Alive!"



(King Krule photographed by Charlotte Patmore)

Following last year's Hey World! video in which Archy Marshall performed acoustic versions of four new songs, King Krule has announced his third studio album titled Man Alive! will be released on February 21, 2020 via Matador/True Panther. Alongside the announcement King Krule has shared his first ever self-directed music video along with the new track "(Don't Let The Dragon) Draag On."

Pre-order / Pre-save Man Alive! HERE

Stream/Watch (Don't Let The Dragon) Draag On HERE



Man Alive! Tracklist
01. Cellular
02. Supermarché
03. Stoned Again
04. Comet Face
05. The Dream
06. Perfecto Miserable
07. Alone, Omen 3
08. Slinky
09. Airport Antenatal Airplane
10. (Don't Let The Dragon) Draag On
11. Theme For The Cross
12. Underclass
13. Energy Fleets
14. Please Complete Thee

Man Alive! will be available on standard vinyl, CD, and as a North American webstore exclusive on limited white vinyl with a bonus flexi disc featuring the Hey World! version of "Perfecto Miserable," while supplies last. An exclusive red vinyl edition will be available at independent record stores as well.



Archy Marshall's longstanding love of cinema seeps out in his first foray into directing, with a video for "(Don't Let The Dragon) Draag On" that pulls influences from Carl Theodor Dreyer's classic The Passion Of Joan Of Arc while still creating a typically wry King Krule visual.



King Krule will tour in support of the new album throughout Europe and North America this Spring. Tickets for all dates below are on sale now.

King Krule On Tour
Tuesday, March 3rd A.B, Brussels BE
Wednesday, March 4th L’Olympia, Paris FR
Friday, March 6th Melkweg, Amsterdam, NL
Saturday, March 7th K.B Hall, Copenhagen, DK
Sunday, March 8th Columbiahalle, Berlin DE
Thursday, March 19th Olympia, Dublin IE
Saturday, March 21st Barrowland, Glasgow UK
Sunday, March 22nd Albert Hall, Manchester UK
Tuesday, March 24th Brixton Academy, London UK
Wednesday, March 25th Brixton Academy, London UK
Thursday, April 2nd House of Blues, Dallas TX
Friday, April 3rd White Oak Music Hall, Houston TX
Saturday, April 4th Stubbs Waller Creek, Austin TX
Tuesday, April 7th Hollywood Palladium, Los Angeles CA
Wednesday, April 8th Fox Theatre, Oakland CA
Friday, April 10th Showbox Sodo, Seattle WA
Saturday, April 11th Roseland Theatre, Portland OR
Tuesday, April 14th First Avenue, Minneapolis MN
Wednesday, April 15th Riviera Theatre, Chicago IL
Friday, April 17th Queen Elizabeth Theatre, Toronto ON
Saturday, April 18th Mtelus, Montreal QC
Sunday, April 19th House of Blues, Boston MA
Tuesday, April 21st Union Transfer, Philadelphia PA
Wednesday, April 22nd 9.30 Club, Washington DC
Friday, April 24th Kings Theatre, Brooklyn NY
Saturday, April 25th Webster Hall, New York NY
Archy Ivan Marshall has the world at his feet. After two feverishly received albums as King Krule, plus another low-key outing under his own name, this extraordinarily gifted 25-year-old from Peckham in South London adds further depth and substance to his oeuvre with another wondrous long-player called ‘Man Alive!’. It arrives packed full of his trademark sonic ambition and compositional skill, as well as the now-familiar corrosive lyricism and lurid social observation. Marshall has emerged as a pack leader amongst his peers, leading the charge in a fearless blurring of genre divisions, one minute seeming to drag the listener through the trashiest punk experience, the next ushering in a soundworld that’s apparently hi-tech and forward-looking.

Like any great artist on the rise, Archy’s life is moving fast. There’s a lot to catch up on, after 2017’s sprawling masterpiece, ‘The Ooz’, broke through amid Mercury Prize nominations and minds-blown media plaudits. Unlike that record, ‘Man Alive!’ doesn’t aim to present any kind of narrative thread, or Brexit-era state-of-the-nation address, just a collection of snapshots and stories, artfully sequenced into a dazzlingly coherent whole.

This third King Krule album was written as a direct reaction to the non-stop energy of touring ‘The Ooz’, and then partly recorded at Shrunken Heads in Marshall’s native stamping ground of Nunhead, with ‘Ooz’ co-producer Dilip Harris. Increasingly self-sufficient in the studio, he manned most of the instruments himself, except for the saxophone, which was played by his trusty Argentinian amigo, Ignacio Salvadores.

Midway through those sessions, however, Archy found out he was going to become a dad for the first time, and he decided to move up to the North West to be near the mother’s family, ready for the baby’s arrival.

“I should’ve had it all wrapped up before my daughter was born,” says Marshall today with a sheepish grin, during a return visit to his favourite public house in Nunhead, right across the street from Shrunken Heads. Impending parenthood came at a felicitous moment for him, as he was beginning to feel trapped in South London’s suburban lifestyle of all-eclipsing drunkenness and depression, which existing fans will know was a recurring theme in his earlier music.

“It was just the easiness of it,” he reflects today. “There really is nothing else to do here, especially when it turns to winter. Everyone I know has jobs, whereas I’d sit on my arse all day sometimes not doing anything, then I’d go to the pub with them when they finished work. It became a bit habitual. Then, right in the middle of the record, this big change came in my life that I didn't really comprehend initially. It was like, ‘Oh, I’d better get my shit together!’ To be honest, I was really glad to get away from all that so I could focus on more pressing matters – like keeping a child alive and stuff.”

Tracks on ‘Man Alive!’ like ‘Stoned Again’, ‘Comet Face’ and ‘(Don’t Let The Dragon) Draag On’ soberingly document the final throes of Archy’s dissolute times, but once he had relocated, he cracked on with recording at Eve Studios in Stockport.

So, after his daughter, Marina, arrived on 14 March 2019, Marshall took a few weeks off, then returned to finish off his album. “I was still adding tracks until she was about six months old (i.e mid-September),” he says. Still, the songs are very much a document of pre-fatherhood, and the need for change, rather than the new life that ensued.

The new album’s title, he explains, “is an exclamation, about the times we live in. Like, ‘Fucking hell, man!’” He stole the title from a CD that his uncle gave him back in 2013 with some of his uncle’s own music on it, and originally planned to use it for his last album. “But ‘The Ooz’ really summed up that record,” he reasons, “just this splurge of everything I love – messy and with no direction. I thought, anyway, ‘Nah, I can’t steal it off him’, but now I'm like, ‘Fuck it, I'm gonna use it!’ I haven't really spoken to him about it actually. I just liked the idea of it as an exclamation. It's kind of like, ‘Oh shit!’, but I didn't wanna call it that, I wanted it to be ‘Man Alive!’ – super-Americanized, like a saying from Adam West as Batman.”

This time, however, he says he felt a strong aversion towards politicizing any of his observations, so there’s little explanation, just the relaying of potent images, such as the fancy cars on ‘Stoned Again’ which signify the gentrification – or what he calls the ‘woo-woo’ – of Peckham, or the vile Brexit-era prejudice he overhears on ‘Supermarché.

“More and more,” he explains, “I've been put off by the intention of speaking about what's going on in society as a black-and-white thing, or trying to get to the bottom of why we’re in this position. So the album is mostly made up of snapshots and observations. There are a lot of real-time-and-place moments, songs talking about walking through the park just over there and getting a head injury [don’t ask! – Ed.], then there are other tracks which are just simplicity, looking at one particular situation and reflecting on it as somehow being super-profound.”

Just as the lyrics are diverse in theme and purpose, so is the music: ‘Comet Face’ lopes along with irresistible unease like a wonky New Wave hit, and ‘Stoned Again’ packs all the inspired beatmongery of ’90s hip hop, while much of the record’s sparser second half recalls the lo-fi intimacy of Robert Wyatt’s ’80s solo work, or indeed the recordings of mass-murderer Charles Manson.

“I’ve been listening to a lot of weird stuff, I guess. There was some Argentinian music, some Brazilian Bossa Nova – I love the way they sing, how soft they are. I also listened to the radio, which I never did until recently. I don't like it but I suppose it might influence me a bit.”

Archy laughs at mention of the word ‘lo-fi’, and gives a characteristically self-effacing insight into his unique methods of production: “Ever since I began, people have said, ‘You’re like a lo-fi artist, you do this bedroom thing,’ when really I was trying to make really hi-fi, top-of-the-range recordings – I just didn't have the equipment! All the equipment I have could possibly make a hi-fi product, but I suppose what I do is start with something that’s basic, like a demo, then I coat things in effects and run things through amps and back out through tiny speakers. I end up making it sound like it's coming out of a fucking telephone in the end! One time I remember feeling convinced I was making music like Flying Lotus, this super hi-fi hip-hop production, but actually when I listened back in the morning, it was more like Daniel Johnston, like it was recorded on a Dictaphone, and played on some old broken keyboard.”

But he was determined to fashion a more concise album this time: “There was a lot that didn't make it onto this record, because it didn't seem to fit with the shell of it. In the end it's only 40 minutes, and I was quite happy about that because I didn't go over the top, like I did with ‘The Ooz’ [running time: 67 minutes]. This one makes more sense if you listen in total, because you start quite fast-paced and aggressive, then it takes more of a back seat for the rest, and gets heart-warming towards the end. Happy endings!”

As the concluding ‘Please Complete Thee’ sails out on upliftingly twangsome slide guitar, you’d be forgiven for imagining that some of the more agonizing preceding numbers have served as a kind of therapy for their creator. “Oh yeah,” he freely admits, “once you’re able to discuss things and talk honestly, there is no better way than just shouting it out at a bunch of people. I was always empowered by lyricism and getting my aggression out in some way, or any kind of emotion. That has always been a process for me. This time I felt like I had gotten out of a dark place, and I was on a high. I appreciated the depression, and the low times I’d been through, but I also liked how I felt better in the here and now. So it was about reaching that new plateau.”

As he prepares for his latest campaign with ‘Man Alive!’, Archy says, “I feel better in life. I don’t drink or smoke when I’m in the North West, so I’m pretty clean. It's made me kind of bored of what a lot of the album’s talking about! It’s hard to know where it’s going now I’ve done it, and what I’ll do next, because of my new-found role and responsibility in the world. It'll be good to play live, I'm looking forward to that. The tour is coming up in March, so, yeah, I need to get onto that!” He laughs at his own lack of forward planning, then concludes with hard-won assurance. “I might get a pint in a bit, but I’ll still take it easy.”

Praise for his latest, deftly sculpted King Krule meisterwerk, though, is likely to be a good deal wilder.

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Steve Gunn - 'Acoustic Unseen'





(photo : Bobby Fisher)

Steve Gunn today releases 'Acoustic Unseen', a new EP of acoustic versions of songs from his critically acclaimed, 'The Unseen In Between'. Following a year of worldwide touring and road testing the songs with a full band and in solo performances, the 7-song collection presents a spellbinding perspective on this stately set – disclosing the songs’ rich individual elements in Gunn’s dexterous and lyrical guitar style.

“After being on the road with the band since January,” says Gunn, “I wanted to spend an afternoon capturing the songs from 'The Unseen In Between' as I originally wrote them, with just me and my acoustic. Mid-year, I went back to the great Strange Weather Studio in Brooklyn, and played through the songs in their most basic form. It felt good.”

Accompanying the EP release is short compilation film "Unseen Anthology". Directed by The Mitcham Submarine and edited by James Harman, the 12-minute film weaves together footage from touring, live sessions, official and unofficial music videos – including a breathtaking session for Toutpartout in a transformed convent in Ghent, on the road footage captured on a Fisher Price camera by Steve and his band, and acoustic videos filmed across London, including a Cecil Court bookshop. Taken together, it’s an engrossing, one-stop-shop live document of an artist in need of little more than a guitar and his voice to conjure a transfixing atmosphere, and an arresting visual companion to the EP.

stream/download 'Acoustic Unseen'

Acoustic Unseen - Tracklist
1. New Moon
2. Vagabond
3. Chance
4. Luciano
5. New Familiar
6. Lightning Field
7. Paranoid

STREAM/BUY The Unseen In Between

Steve Gunn on tour :


Friday, October 18 Lambert’s, Austin TX %
Sunday, October 20 Duet Jazz ,The Bob Dylan Center Presents: An Evening with Steve Gunn, Tulsa OK
Wednesday, October 23 Showbox Theater, Seattle WA @%
Thursday, October 24 Commodore Ballroom, Vancouver BC @%
Friday, October 25 Wild Buffalo, Bellingham WA @%
Saturday, October 26 Wonder Ballroom, Portland OR @%
Monday, October 28 Slim’s, San Francisco CA @%
Tuesday, October 29 Slim’s, San Francisco CA @%
Wednesday, October 30 Slim’s, San Francisco CA @%
Sunday, November 3 Shibuya 7th Floor Tokyo JP %
Wednesday, November 6 Tuning Fork, Auckland NZ %
Thursday, November 7 Blue Smoke, Christchurch NZ %
Friday, November 8 Dog With Two Tails, Dunedin NZ %
Saturday, November 9 The Plant, Blenheim NZ %
Sunday, November 10 Moon, Wellington NZ %
Wednesday, November 13 Sitting Room Session, Hawkes Bay NZ %
November 16 + 17 Mullum Music Festival %
Monday, November 18 Junk Bar, Brisbane AU %
Wednesday, November 20 Altar, Hobart AU %
Thursday, November 21 Theatre Royal, Castlemaine AU + %
Friday, November 22 Melbourne Music Week, State Library, Melbourne AU + %
Saturday, November 23 Coalchella, Wombarra Bowlo, Wombarra AU %
Sunday, November 24 Red Rattler, Sydney AU + %

% indicates solo performance
@ w/ Dinosaur Jr.
+ w/ Tiny Ruins

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Out Today : Kim Gordon - 'No Home Record'



Today Kim Gordon releases her highly anticipated, 'No Home Record', an album already being heralded as “provocative, challenging and effortlessly cool" and “a superb genre-spanning solo debut.”  Those who purchase the CD or LP at Amoeba Hollywood (6400 Sunset Blvd, Los Angeles, CA 90028) today can celebrate with Gordon in-person  at an in-store signing event starting at 7pm.





Earlier today, Gordon released a clip for “Hungry Baby”, which is the latest in a short video series the legendary musician and Berlin-based artist and filmmaker Loretta Fahrenholz created to accompany the album

 stream/order 'No Home Record' (t-shirt / tote bag bundles available from The Matador Store)










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