Today, we close out year one of Matador’s Revisionist History podcast, which pairs artists and collaborators to discuss a Matador album celebrating a noteworthy anniversary. The fifth and final episode of our inaugural season brings Julien Baker together with Carl Newman, Neko Case, and John Collins of The New Pornographers. (stream the podcast here)
The New Pornographers are celebrating the 21 st anniversary of their debut album, 'Mass Romantic', with a tour and a reissue, which is pressed on red vinyl and includes a pretty great bonus 7”, “Letter from an Occupant.” Released earlier this year, Baker’s third LP, 'Little Oblivions', is presently lighting up best-of lists across the web and print. Discussion
is enhanced by our host, Matt Sweeney.
They go deep on 'Mass Romantic' – the songs, the scene, the various multitrack tape machines and their timecode synchronization. Case also explains why Canadians do band dynamics better than Americans. Matt and Carl both praise the band Om only to realize that Carl is talking about a different band, Ohmme.
stream/purchase 'Little Oblivions'
stream/purchase 'Mass Romantic'
Julien Baker online
The New Pornographers
The New Pornographers - official site
Listen to the Matador Revisionist History Podcast HERE.
Stream / pre-order limited lightbulb yellow LP edition of David Comes To Life HERE.
Today we pull back the curtain on the fourth installment of the Matador Revisionist History podcast, which pairs artists and collaborators to discuss a Matador album celebrating a noteworthy anniversary.
This episode honors Fucked Up’s epic rock opera, David Comes to Life (2011), which first hit shelves 10 years ago last June.
Here band members Jonah Falco (Mr. Jo), Sandy Miranda (Mustard Gas), and Josh Zucker (Gulag) look back on the early ’10s with friend and tour-mate Patrick Stickles (Titus Andronicus), himself no stranger to punk rock concept albums. Discussion is nudged along by our host, Matt Sweeney.
Their chat yields insight into the writing and recording of David Comes to Life, but also entertaining tangents on composer Jim Steinman’s lewd oblique strategies, roady-ing as a path to physical fitness, and the secret to Fucked Up’s longevity (“If anybody tries to grow and do something better, tear them down”).
Fucked Up on Tour
Wednesday, January 19 Club Saw, Ottawa ON
Thursday, January 20 Bar Le Ritz, Montreal QC
Friday, January 21 Sinclair, Boston MA
Saturday, January 22 Brooklyn Made, Brooklyn NY
Sunday, January 23 Underground Arts, Philadelphia PA
Monday, January 24 Union Stage, Washington DC
Tuesday, January 25 Mr. Smalls, Pittsburgh PA
Wednesday, January 26 Ace of Cups, Columbus OH
Friday, January 28 Shelter, Detroit MI
Saturday, February 5 Great Hall, Toronto ON
Tuesday, February 16 Parish, Austin TX
Thursday, February 18 Ukranian Cultural Center, Los Angeles CA
Friday, February 19 TBD, San Francisco CA
Sunday, February 21 Mississippi Studios, Portland OR
Monday, February 22 Crocodile, Seattle WA
Tuesday, March 29 The Joiners, Southampton UK
Wednesday, March 30 Scala, London UK
Thursday, March 31 Metronome, Nottingham UK
Friday, April 1 Exchange, Bristol UK
Saturday, April 2 District, Liverpool UK
Sunday, April 3 Belgrave Music Hall, Leeds UK
Monday, April 4 Stereo, Glasgow UK
Tuesday, April 5 Gorilla, Manchester UK
Wednesday, April 6 Castle & Falcon, Birmingham UK
Thursday, April 7 Grand Social, Dublin IE
Fucked Up Online
Fucked Up website
David Comes To Life blog
Titus Andronicus Online
The latest episode of Song Exploder dives into Lucy Dacus' "Thumbs". Stream it here.
stream / purchase 'Home Video'
Lucy Dacus on Tour
Wednesday, September 22 191 Toole, Tucson AZ %
Friday, September 24 The Theatre at Ace Hotel, Los Angeles CA % (SOLD OUT)
Saturday, September 25 The Observatory OC, Santa Ana CA (SOLD OUT)
Sunday, September 26 August Hall, San Francisco, CA @
Monday, September 27 The Fillmore, San Francisco, CA % (SOLD OUT)
Wednesday, September 29, Neptune Theatre, Seattle WA = (SOLD OUT)
Thursday, September 30 Hollywood Theatre, Vancouver BC $ (SOLD OUT)
Friday, October 1 Wonder Ballroom, Portland OR $ (SOLD OUT)
Saturday, October 2 Neptune Theatre, Seattle WA $ (SOLD OUT)
Sunday, October 3 Spanish Ballroom, Tacoma WA $
Monday, October 4 The Elm, Bozeman MT $
Tuesday, October 5 Urban Lounge, Salt Lake City UT $ (SOLD OUT)
Wednesday, October 6 Gothic Theater, Denver CO $ (SOLD OUT)
Friday, October 8 The Englert Theatre, Iowa City IA $ (SOLD OUT)
Saturday, October 9 First Avenue, Minneapolis MN $ (SOLD OUT)
Sunday, October 10 Thalia Hall, Chicago IL (SOLD OUT)
Monday, October 11 The Vic Theatre, Chicago IL (SOLD OUT)
Tuesday, October 12 Newport Music Hall, Columbus OH $
Thursday, October 14 The Opera House, Toronto ON $ (SOLD OUT)
Friday, October 15 L’Astral, Montreal QC $ (SOLD OUT)
Saturday, October 16 House of Blues, Boston MA $ (SOLD OUT)
Monday, October 18 Higher Ground, Burlington VT $ (SOLD OUT)
Wednesday, October 20 Union Transfer, Philadelphia PA ^ (SOLD OUT)
Thursday, October 21 Union Transfer, Philadelphia PA $ (SOLD OUT)
Friday, October 22 9:30 Club, Washington DC $ (SOLD OUT)
Saturday, October 23, 9:30 Club, Washington DC $ (SOLD OUT)
Monday, October 25 Brooklyn Steel, Brooklyn NY (SOLD OUT)
Tuesday, October 26 Brooklyn Steel, Brooklyn NY (SOLD OUT)
Thursday, October 28 Brooklyn Steel, Brooklyn NY
Friday, October 29 9:30 Club, Washington DC > (SOLD OUT)
Friday, March 18th Brudenell Social Club, Leeds UK
Sunday, March 20th St Lukes, Glasgow UK
Monday, March 21st The Button Factory, Dublin IE
Wednesday, March 23rd Gorilla, Manchester UK
Thursday, March 24th SWX, Bristol UK
Friday, March 25th Kentish Town Forum, London UK
Tuesday March 29th Botanique, Brussels BL
Wednesday, March 30th Paradiso Noord, Amsterdam NL
Thursday, March 31st Artheater, Cologne DE
Saturday, April 2nd Molotow, Hamburg DE
Sunday, April 3rd Lille Vega, Copenhagen DK
Monday, April 4th Atlas, Aarhus DK
Wednesday April 6th Parkteatret, Oslo NO
Thursday, April 7th Nalen Klubb, Stockholm SE
Saturday, April 9th Lido, Berlin DE
Sunday, April 10th Trafo, Jena DE
Tuesday, April 12th Chelsea, Vienna AT
Wednesday, April 13th Milla, Munich DE
Thursday, April 14th Bogen F, Zürich SU
Friday, April 15th La Maroquinerie, Paris FR
% w/ Bachelor
= w/ y la bamba
$ w/ Bartees Strange
^ w/ Shamir
# w/ Laura Stevenson
> w/ Tomberlin
Lucy Dacus Online
Today, we are thrilled to present the third episode of the Matador Revisionist History podcast, which pairs artists and collaborators to discuss a Matador album celebrating a noteworthy anniversary.
In honor of the 40th anniversaries of Gang of Four’s Solid Gold and Mission of Burma’s Signals, Calls and Marches, we had Jon King and Hugo Burnham sit down with Clint Conley and Roger Miller. Now labelmates on Matador, the two bands met in 1979 when they shared a bill at Boston’s Rat Club. “They were really loud,” recalls Burnham. “We thought we were loud. And wanted to be loud. And were loud. But it’s like, “We’ve got competition here.”
Featuring a theme song by The New Pornographers’ A.C. Newman and new host Matt Sweeney (Superwolves, Chavez), this one-hour conversation traces the origins of the four-decade friendship between two of the most iconic bands in rock history and comes sprinkled with never-before-heard anecdotes, musings on their greatest artistic influences, and deep takes on Harold and Kumar Go To White Castle.
The Matador Revisionist History podcast is available to stream exclusively via Spotify. Listen to episode 3 HERE.
Solid Gold is now available to purchase and stream HERE and Signals, Calls and Marches is now available to purchase and stream HERE.
Mission of Burma Online
Gang of Four '77-81 online
Gang Of Four / Matador Records
Gang of Four official Facebook
Gang of Four official Twitter
Gang of Four official Instagram
Perhaps having tired of interviewing such nobodies as Lorne Michaels, CM Punk, Steve Albini, Tom Arnold, Matt Sweeney, The Amazing Jonathan and Barack Obama (sadly, not on the same episode), Marc Maron today welcomes Yo La Tengo's Ira Kaplan to the garage . Bob Odenkirk and David Cross stop by as well, though perhaps they were taped on different days. I have no idea how Marc feels about people hanging out in his driveway waiting to talk, but I don't think I'd like it one bit.