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The MataBlog is edited by Matador Records’ co-moaner Gerard Cosloy and individual entries are the work of whoever’s name is next to them. If you enjoyed something in the MataBlog, thank you very much! If there was something you found particularly troubling, please be advised that a) maybe you should read it again and b) the contents of this blog do not necessarily represent the opinions of Matador Records, Beggars Group, the combined staff of either company, nor the Matador artist roster. Opinions are like friends — hardly anyone has one worth listening to.

Algiers - "I Can't Stand It!" (feat. Samuel T. Herring & Jae Matthews)

January 19th, 2023 at 9:50 am by The Management



Stream / Download "I Can't Stand It!"

Pre-order 'SHOOK'



(Algiers, photo: Ebru Yildiz)



(Jae Matthews of Boy Harsher, photo by Yulissa Benitez)



(Samuel T. Herring of Future Islands, photo by Justin Flythe)

Today, Algiers release new single “I Can’t Stand It!”, taken from their forthcoming new album 'SHOOK', released February 24th on Matador. The song features Samuel T. Herring (Future Islands) and Jae Matthews (Boy Harsher). It samples fellow Atlanta artist Lee Moses’ 1971 song, “What You Don’t Want Me To Be”.



“I Can’t Stand It!” was written and produced by frontman Franklin James Fisher, who says: “It’s a very personal song about a devastating loss of someone I believed to be the love of my life which nearly ended in my suicide. I think the song’s narrative arc reflects the sense of dread and the path that led me to that moment. She put on “What You Don’t Want Me To Be” the first time I heard it and I knew immediately that I was going to sample it—I just couldn’t have known the result would be a song about our own end. But every time I sing that song now it feels like I heal a little bit more.”

Jae Matthews says: "I wanted to give Algiers not so much a narrative, but a recollection of a feeling. That abstract evocation that comes when you think about someone who broke yr heart and how that pain still tethers you."

Algiers on tour (new dates in bold) :
Thursday, February 9 Workman’s Dublin IE
Wednesday, February 15 Botanique, Brussels BE
Thursday, February 16 Salzhaus, Winterthur CH
Friday, February 17 Bronson, Ravenna IT
Saturday, February 18 Capitol, Pordenone IT
Monday, February 20 Kino Siska, Ljubjana SL
Tuesday, February 21 Flex, Vienna AT
Wednesday, February 22 Posthof, Linz AT
Friday, February 24 Lucerna, Prague CZ
Saturday, February 25 Niebo, Warsaw PL
Wednesday, March 1 Beatpol, Dresden DE
Thursday, March 2 Hole44, Berlin DE
Friday, March 3 Forum, Bielefeld DE
Saturday, March 4 Manufaktur, Schorndorf DE
Sunday, March 5 Club Volta, Cologne DE
Tuesday, March 7 Petit Bain, Paris FR
Wednesday, March 8 The Dome, London UK
Thursday January 26 Washington’s Foco, Fort Collins CO
March 15-17 SXSW, Austin TX
Sunday, March 19 Rebel Lounge, Phoenix AZ
Monday, March 20 Soda Bar, San Diego CA
Tuesday, March 21 Knitting Factory NOHO, Los Angeles CA
Thursday, March 23 Bottom of the Hill, San Francisco CA
Saturday, March 25 Show Bar at Revolution Hall, Portland OR
Sunday, March 26 Madame Lou’s, Seattle WA
Wednesday, March 29 7th St Entry, Minneapolis MN
Thursday, March 30 Sleeping Village, Chicago IL
Friday, March 31 Whirling Tiger, Louisville KY
Sunday, April 2 Big Ears Festival, Knoxville TN
Monday, April 3 The Pinhook, Durham NC
Tuesday, April 4 DC9, Washington DC
Wednesday, April 5 PhilaMOCA, Philadelphia PA
Thursday, April 6 Racket, New York NY
Friday, April 7 Casa del Popolo, Montreal QC
Saturday, April 8 The Garrison, Toronto ON

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The MataBlog is edited by Matador Records’ co-moaner Gerard Cosloy and individual entries are the work of whoever’s name is next to them. If you enjoyed something in the MataBlog, thank you very much! If there was something you found particularly troubling, please be advised that a) maybe you should read it again and b) the contents of this blog do not necessarily represent the opinions of Matador Records, Beggars Group, the combined staff of either company, nor the Matador artist roster. Opinions are like friends — hardly anyone has one worth listening to.

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